
Codex stellarum,
2025
Gabriela Aleksandra Szuba
Painting : acrylic, gold leaf, mixed media
100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Italy
In the silence of matter, among paper, modeling paste, acrylic, and gold leaf, an ancient language emerges: a code of light and shadow etched beyond time.
The signs, suspended between chance and necessity, gather toward the lower edge in red ochre, like fragments of a cosmic message fallen onto the canvas.
"Codex Stellarum" is not merely an image but a revelation:
a script from other dimensions, a secret map speaking of births and dissolutions, of inner journeys and distant orbits.
Gold, like a divine spark, opens passages of light, while the earthly matter preserves the memory of the universe.
In this meeting of opposites — sky and earth, sign and silence, chaos and order — lies the possibility of a new language,
where art becomes prophecy and painting turns into a stellar code.
About the seller
Independent artist • Italy
Vetted Seller

Discover more by the artist
Presentation
Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.
Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.
Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.
Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.
Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.
Painters
Italian artists
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