The more I look at it, the more I like it,
2018
Robert van Bolderick
Painting : acrylic, collage
190 x 120 x 4 cm 74.8 x 47.2 x 1.6 inch
$17,338
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
190 x 120 x 4 cm 74.8 x 47.2 x 1.6 inch Height x Width x Depth
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
This artwork presents a vivid interplay of color and form, dominated by an expansive yellow backdrop. Scattered across the canvas are overlapping photographs, each meticulously detailed, creating a sense of nostalgia and fragmented memory. The lower half, infused with rich blues and earthy browns, grounds the composition, serving as a counterpoint to the vibrant upper section. The arrangement of the images suggests movement and chaos, yet there's an underlying harmony in their placement. The use of mixed media adds depth and texture, inviting viewers to explore each photograph's individual story. The juxtaposition of warm and cool tones evokes both warmth and introspection, while the abstract elements convey a sense of temporal fluidity. This artwork shines in its ability to convey personal histories within a vibrant, unified whole, making it a compelling exploration of memory and emotion.
About the seller
Redsheep Gallery • France
Artsper seller since 2018
Vetted Seller
This seller rewards your purchases of multiple artworks
Imagine it at home
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Presentation
By using a mixed technique that combines acrylic, oil, gauche, tempera, to the praxis of collage, it gives life to the artworks with a dreamlike and vibrant scenario that imprison on the canvas tracks of the real and of metaphorical evocations. Rhythm, pattern and balance is important in the paintings. Images and text fragments sticks out, but don't give the viewer all information, just like dreams and memories its fragmented and fuzzy, just gives a glimpse of what have happened.
Using collage is influenced and refer to a typically Dadaist aesthetics, but at the same time they're purged of the Dada polemic force and iconoclastic fury. In fact, the paintings colour, cut-outs, symbols of a mysterious past, like of the present, slowly emerge on the surface in a continuum of summons and recovery, composing and compressing themselves into new formal structures capable of returning the memory of reasons and feelings, and emotionally closer to the Rauschenberg's memory to aim for a particular text and image to have an underlying meaning.
Documenting the lives and our footprint through time and what the future has to show, history repeats itself. This has happened, mixed with a dreamy, ethereal world.
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