Go Cart Track, 2015
Jill Peters

Photography : color edition, archival pigment print

101.6 x 152.4 x 0.3 cm 40 x 60 x 0.1 inch

$4,500
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About the artwork

Type

Numbered and limited to 10 copies

9 copies available

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Dimensions cm inch

101.6 x 152.4 x 0.3 cm 40 x 60 x 0.1 inch Height x Width x Depth

Framing

Not framed


Tags

From the sky

Sport

Sky

Grass

Landscape

Road

Artwork sold in perfect condition

Artwork location: United States

This artwork presents an intricate and captivating aerial view of a serpentine go-kart track, cleverly designed to resemble a giant winding labyrinth. The image is dominated by a striking contrast between the sleek, smooth grey of the asphalt curves and the vibrant green of the surrounding grass. The track undulates with fluidity, evoking a sense of motion even in its stillness. This dynamic composition invites the viewer's eye to trace the looping pathways, suggesting a journey filled with anticipation and adrenaline. The layout is a testament to precision and creativity, highlighting the art of asphalt design in recreational spaces. Tiny figures on the track provide a subtle scale, enhancing the vastness and complexity of the scene. The careful placement of tires along the edges of the track ensures the safety of racers while adding a functional artistic detail. This artwork uniquely combines elements of sports, design, and nature, creating an exhilarating visual experience that is as much about the journey as the destination.

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About the seller

The Art Design Project - Art Gallery • United States

Artsper seller since 2019

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Imagine it at home

Jill Peters, Go Cart Track
United States

Presentation

Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper's Bazaar, LIFE, Interview, Details, George, Vanity Fair, and many more publications.

Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track.

Shooting mostly from the air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man's wider imprint on nature. Whether it's the graphics symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.

Jill was recognized in Photo Lucida's Critical Mass Top 50 international competition, 2013, and the New York Photo Festival 2013. Her work has been exhibited in group shows this spring at Houston Center for Photography, Corden/Potts in San Francisco and Powerhouse Arena in New York 2014.

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