
Go Cart Track,
2015
Jill Peters
Photography : color edition, archival pigment print
101.6 x 152.4 x 0.3 cm 40 x 60 x 0.1 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 10 copies
9 copies available
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
101.6 x 152.4 x 0.3 cm 40 x 60 x 0.1 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: United States
This artwork presents an intricate and captivating aerial view of a serpentine go-kart track, cleverly designed to resemble a giant winding labyrinth. The image is dominated by a striking contrast between the sleek, smooth grey of the asphalt curves and the vibrant green of the surrounding grass. The track undulates with fluidity, evoking a sense of motion even in its stillness. This dynamic composition invites the viewer's eye to trace the looping pathways, suggesting a journey filled with anticipation and adrenaline. The layout is a testament to precision and creativity, highlighting the art of asphalt design in recreational spaces. Tiny figures on the track provide a subtle scale, enhancing the vastness and complexity of the scene. The careful placement of tires along the edges of the track ensures the safety of racers while adding a functional artistic detail. This artwork uniquely combines elements of sports, design, and nature, creating an exhilarating visual experience that is as much about the journey as the destination.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Presentation
Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper's Bazaar, LIFE, Interview, Details, George, Vanity Fair, and many more publications.
Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track.
Shooting mostly from the air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man's wider imprint on nature. Whether it's the graphics symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.
Jill was recognized in Photo Lucida's Critical Mass Top 50 international competition, 2013, and the New York Photo Festival 2013. Her work has been exhibited in group shows this spring at Houston Center for Photography, Corden/Potts in San Francisco and Powerhouse Arena in New York 2014.
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