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The Does,
2024
Matthew Lutz-Kinoy
Print : cotton
160 x 105 cm 63 x 41.3 inch
€991
One of the last works available by this artist
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About the artwork
Type
Numbered and limited to 99 copies
29 copies available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from JRP|Editions
Invoice from the gallery
Dimensions cm • inch
160 x 105 cm 63 x 41.3 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
This work is part of a series inspired by the 20th-century English master potter Bernard Leach's glazed ceramics in which the deer is an iconic motif. Matthew Lutz-Kinoy plays with copy and repetition giving the deer a sense of movement like a choreography or even a potential narrative.
Drawing from modern craft as much as Japanese tradition and echoing parietal cave paintings as well as performing art, The Does becomes in turn emblematic of Lutz Kinoy's practice.
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Presentation
Matthew Lutz-Kinoy (1984, New York) lives and works in Paris.
Embracing the spirit of collaboration as a means to expand knowledge and skills, the breadth of techniques and references used across Matthew Lutz-Kinoy's practice are the result of many collaborative ventures. Where his ceramics are influenced by working with artists in Europe and Brazil, his large-scale paintings often installed like backdrops, tapestries, wall panels or suspended ceilings assert matters of pleasure, color, intimacy, motion, as fundamental. Lutz-Kinoy's work looks through a history of representation from the rococo to orientalism to abstract expressionism; challenging what constitutes the inside and the outside of the arts, the social and the self.
At the core of Lutz-Kinoy's practice is performance. Influenced by histories of queer and collaborative practice as well as his background in theatre and choreography, his live work explores the interplay of narratives that are created and constructed between individuals and social spaces.
His most recent solo shows include Filling Station, The Kitchen, New York and Dia, Beacon, (upcoming 2023), Plate is Bed Plate is Sun Plate is Circle Plate is Cycle, Mennour, Paris (2022), Link Room Project, Cranford Collection, London (2022), Soap Bubbles, Art Basel Parcours, Basel (2022), Manikin, Mendes Wood DM, São Paulo (2022); Grand Entrance, Mendes Wood DM at Villa Era, Vigliano Biellese (2021); Window to the Clouds, Museum Frieder Burda | Salon Berlin, Berlin (2021); Two Hands on Earth, Mendes Wood DM, Brussels (2019); Hudson Bathers, Mendes Wood DM, New York, USA (2019); Sea Spray, Vleeshal, Middelburg (2018); The Meadow, Le Centre d'édition Contemporaine, Geneva (2018); Southern Garden of the Château Bellevue, Le Consortium, Dijon (2018); Fooding, Fitzpatrick Gallery, Paris (2018).
Additionally, Lutz-Kinoy's work has also been featured in recent group shows such as The Flames – The Age of Ceramic, Musée d'Art Moderne de Paris, Paris (2021); Geneva Sculpture Biennial, Geneva (2020); Sharjah Biennial 14: Leaving the Echo Chamber with Isabel Lewis, Sharjah (2019); Eckhaus Latta: Possessed, Whitney Museum of American Art, New York (2018); Welt ohne Außen. Immersive Spaces since the 1960s, Berliner Festspiele, Berlin (2018).
His work can be found in the collections of the FRAC Aquitaine, S.M.A.K. Gent, the ADN Collection, Bolzano, Rennie Museum, Vancouver, Aishti Foundation, Beirut and the Syz Collection, Geneva.
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