Life & Death,
2017
Andrew Schoultz
Print : lithography, etching
85.5 x 64 cm 33.7 x 25.2 inch
One of the last works available by this artist
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 99 copies
3 copies available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
85.5 x 64 cm 33.7 x 25.2 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
85.50 x 64 cm (33.67 x 25.20 inches)
Paper BFK Rives 270 g.
Lithograph 3 colors printed with Marinoni press lithographic and hand cut.
Signed and numbered by the artist.
There is a skull representing "Death" and then the birds flying with the clouds representing "Life". There is also the all seeing eye... keeping watch and recording history as it happens... In history you have life and you have death... the lives are what makes history exist, and then again everything must always come to an end no matter how good or bad something may be…
So, for me, there is a delicate balance on the earth of life and death.... Every life matters, and every death matters in the same and equal way. That is in some way what the piece is about... it could also be said that maybe in some way the piece is about the fragility of "life"... Life is precious, and in these fast times we live in, it can be very easy to forget this fact... The all seeing eye present in this image is really about how everything we do now is being constantly accounted for, monitored and recorded...
This is the world we live in now... In fact - we even voluntarily let ourselves be monitored through our phones and computers... So this is very much a part of our life and our death now... it is very much part of our life cycle... So to depict life and death in this post contemporary world, it is a given to also include this idea as well.
About the seller
Professional art gallery • Switzerland
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Presentation
He doesn't consider himself as part of an artistic movement. He does what comes naturally, without knowing in advance what will be the final result. When he starts painting, he keeps letting working and speaking his spontaneity. Inspired by the archaic illustrations of Nuremberg Chronicles of 1492, German map making and Persians miniature paintings, Andrew Schoultz's artworks refer to themes, such as war, corruption, environmental issues, globalization and economic crisis. Although his work varies in form and sizes, from large-scale installations and murals paintings to works on paper and sculptures, they all are deeply chaotic both visually and thematically.
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