Credendo Vides 023
Jean-Michel Rousvoal
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
€800
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Vanité d’Automne,
2017
Jean-Michel Rousvoal
Print : digital print
130 x 97 x 0.1 cm 51.2 x 38.2 x 0 inch
€3,000
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About the artwork
Type
Numbered and limited to 5 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
130 x 97 x 0.1 cm 51.2 x 38.2 x 0 inch Height x Width x Depth
Support
Framing
Black wood frame
Artwork dimensions including frame
135 x 102 x 5 cm 53.1 x 40.2 x 2 inch
Tags
Artwork sold in perfect condition
Artwork location: France
Technique: Print on varnished canvas and mounted on frame. Jean-Michel Rousvoal was born in Paris in 1967. He discovered photography as a teenager and decided to make it his profession. He graduated from the Louis Lumière national school. After ten years spent in a professional photographic laboratory, he created his studio in 1992 and began to collaborate with large companies. He also takes the time to forge his gaze, to educate his eye in contact with painting, photography ... A desire to see in order to be nourished by their stories, their traditions and their symbols and which is gradually giving birth to a personal job. He presented his first large series “Credendo vides” in 2016 during an exhibition in his studio in Pontoise. In 2018, he was selected to participate in the European Festival of Nude Photography in Arles with his series “La Madeleine repentante”. The Van Gogh space then allows it to fully deploy the scale of its large formats. The assumed pictorial character of some of his series staged all in baroque luxuriance, strewn with references, invites us to cross the mirror of time, a time that stretches and leaves its mark. The alchemy used also finds its source in the “black” of the silver laboratory, and thus extends to digital and pigment prints. If here photography plays with its limits in a symbolic profusion, other series focus on the body alone or on a landscape to capture the essential in a suspended moment of silence.
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About the seller
galerie bruno massa • France
Artsper seller since 2015
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Discover more by the artist
Credendo Vides 001
Jean-Michel Rousvoal
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
€800
Credendo Vides 026
Jean-Michel Rousvoal
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
€800
Credendo Vides 028
Jean-Michel Rousvoal
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
€800
Credendo Vides 002
Jean-Michel Rousvoal
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
€800
Credendo Vides 004
Jean-Michel Rousvoal
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
€800
Credendo Vides 005
Jean-Michel Rousvoal
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
€800
Presentation
Jean-Michel Rousvoal is a French photographer born in 1967 who lives and works in Pontoise, France. He discovered photography during his adolescence and decided to make it his profession. He is a graduate of the Ecole Nationale Louis Lumière. After ten years spent in a professional photographic laboratory, he created his studio in 1992 and began collaborating with large companies. He also takes the time to forge his gaze, to educate his eye in contact with painting, photography... A desire to see in order to feed on their history, their traditions and their symbols and which gradually gives rise to personal work. He presents a first major series "Credendo Vides" in 2016 during an exhibition in his studio in Pontoise. In 2018, he was selected to participate in the European Festival of Nude Photography in Arles with his series "La Madeleine Repentante". The Van Gogh space then allowed him to fully deploy the scale of his large formats. The assumed pictorial character of some of his series, staged in baroque luxuriance, dotted with references, invites us to cross the mirror of time, a time that stretches and leaves its mark. The alchemy implemented also finds its source in the "black" of the silver laboratory, and thus extends with digital and pigment prints. If here photography plays with its limits in a symbolic profusion, other series focus on the body alone or on a landscape to capture the essential in a suspended moment of silence.
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