Human body
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Pantomime
Marie-Madeleine Gautier
Sculpture - 61 x 24 x 36 cm Sculpture - 24 x 9.4 x 14.2 inch
$14,208
Untitled TV I
Rodrigo Etem
Photography - 55.9 x 101.6 x 0.3 cm Photography - 22 x 40 x 0.1 inch
$1,500
Méditation - série corps de femme nu
Chantal Molinié Jonquet
Sculpture - 22 x 16 x 16 cm Sculpture - 8.7 x 6.3 x 6.3 inch
$2,636
Réflexion - série corps de femme nu
Chantal Molinié Jonquet
Sculpture - 26 x 15 x 25 cm Sculpture - 10.2 x 5.9 x 9.8 inch
$3,469
Affliction - série corps de femme nu
Chantal Molinié Jonquet
Sculpture - 22 x 18 x 21 cm Sculpture - 8.7 x 7.1 x 8.3 inch
$4,995
I'm never going to look back
Haydee Torres
Painting - 50.8 x 40.6 x 0.8 cm Painting - 20 x 16 x 0.3 inch
$715
Lovers - Pure love 1
Carmen Tyrrell
Painting - 63 x 51.1 x 0.3 cm Painting - 24.8 x 20.1 x 0.1 inch
$720
Lovers - Pure love 2
Carmen Tyrrell
Painting - 63 x 51.1 x 0.3 cm Painting - 24.8 x 20.1 x 0.1 inch
$720
Lovers - Pure love 3
Carmen Tyrrell
Painting - 63 x 51.1 x 0.3 cm Painting - 24.8 x 20.1 x 0.1 inch
$720
Lovers - I am yours
Carmen Tyrrell
Painting - 59.9 x 50 x 1.5 cm Painting - 23.6 x 19.7 x 0.6 inch
$812
Lovers -You are mine
Carmen Tyrrell
Painting - 59.9 x 50 x 1.5 cm Painting - 23.6 x 19.7 x 0.6 inch
$812
Lovers at sunset 2
Carmen Tyrrell
Painting - 59.9 x 50 x 1.5 cm Painting - 23.6 x 19.7 x 0.6 inch
$851
Lovers at sunset 3
Carmen Tyrrell
Painting - 59.9 x 50 x 1.5 cm Painting - 23.6 x 19.7 x 0.6 inch
$851
La Maculée conception (Madone barbelée)
Yves Hayat
Print - 150 x 100 x 4 cm Print - 59.1 x 39.4 x 1.6 inch
$8,325
Fuen en El Louvre, Paris (Identity Assertions Series)
Imanol Marrodán
Photography - 45 x 30 x 0.1 cm Photography - 17.7 x 11.8 x 0 inch
$555
Les trois demoiselles
Robert Koumassadouno
Painting - 110 x 60 x 3 cm Painting - 43.3 x 23.6 x 1.2 inch
$1,387
La crème était presque parfaite
Petites Luxures
Fine Art Drawings - 29.7 x 21 cm Fine Art Drawings - 11.7 x 8.3 inch
$999
No55 SPIRIT Series
Yevgeniy Repiashenko
Photography - 120 x 96 x 0.1 cm Photography - 47.2 x 37.8 x 0 inch
$2,908
Se la couler douche
Petites Luxures
Fine Art Drawings - 29.7 x 21 cm Fine Art Drawings - 11.7 x 8.3 inch
$999
No45 SPIRIT Series
Yevgeniy Repiashenko
Photography - 120 x 120 x 0.1 cm Photography - 47.2 x 47.2 x 0 inch
$2,908
Ondine série corps de femme
Chantal Molinié Jonquet
Sculpture - 11 x 48 x 21 cm Sculpture - 4.3 x 18.9 x 8.3 inch
$4,395
Désinvolte série corps de femme
Chantal Molinié Jonquet
Sculpture - 44 x 19 x 29 cm Sculpture - 17.3 x 7.5 x 11.4 inch
$5,106
La conquérante série corps de femme
Chantal Molinié Jonquet
Sculpture - 33 x 45 x 20 cm Sculpture - 13 x 17.7 x 7.9 inch
$4,995
Repos série corps d'homme
Chantal Molinié Jonquet
Sculpture - 21 x 14 x 17 cm Sculpture - 8.3 x 5.5 x 6.7 inch
$2,553
Petite affirmation série corps de femme
Chantal Molinié Jonquet
Sculpture - 23 x 19 x 15 cm Sculpture - 9.1 x 7.5 x 5.9 inch
$2,553
la légèreté
Yevgeniy Repiashenko
Photography - 120 x 80 x 0.1 cm Photography - 47.2 x 31.5 x 0 inch
$2,908
No47 SPIRIT Series
Yevgeniy Repiashenko
Photography - 120 x 96 x 0.1 cm Photography - 47.2 x 37.8 x 0 inch
$2,908
l' amie
Yevgeniy Repiashenko
Photography - 80 x 120 x 0.1 cm Photography - 31.5 x 47.2 x 0 inch
$2,908
The War
Anastasia Kurakina
Fine Art Drawings - 17.5 x 17 x 0.1 cm Fine Art Drawings - 6.9 x 6.7 x 0 inch
$755
No31 SPIRIT Series
Yevgeniy Repiashenko
Photography - 120 x 120 x 0.1 cm Photography - 47.2 x 47.2 x 0 inch
$2,908
WetWay
Yevgeniy Repiashenko
Photography - 80 x 120 x 0.1 cm Photography - 31.5 x 47.2 x 0 inch
$2,908
Hills
Yevgeniy Repiashenko
Photography - 80 x 120 x 0.1 cm Photography - 31.5 x 47.2 x 0 inch
$2,908
Fesse homme
Emmanuelle Barbaras
Photography - 36 x 53 x 1 cm Photography - 14.2 x 20.9 x 0.4 inch
$777
Femme allongée
Emmanuelle Barbaras
Photography - 24 x 36 x 1 cm Photography - 9.4 x 14.2 x 0.4 inch
$777
Nu II
Mirco Marcacci
Fine Art Drawings - 40 x 30 x 0.5 cm Fine Art Drawings - 15.7 x 11.8 x 0.2 inch
$988
Nu V
Mirco Marcacci
Fine Art Drawings - 40 x 30 x 0.5 cm Fine Art Drawings - 15.7 x 11.8 x 0.2 inch
$988
Nu VII
Mirco Marcacci
Fine Art Drawings - 40 x 30 x 0.5 cm Fine Art Drawings - 15.7 x 11.8 x 0.2 inch
$988
Nu I
Mirco Marcacci
Fine Art Drawings - 40 x 30 x 0.5 cm Fine Art Drawings - 15.7 x 11.8 x 0.2 inch
$988
Sans titre (Un jour, une photo)
Aline Part
Photography - 67 x 50 x 0.2 cm Photography - 26.4 x 19.7 x 0.1 inch
$555
Femme avec rideau rouge
Charlie Feraud
Painting - 45.5 x 38 x 0.2 cm Painting - 17.9 x 15 x 0.1 inch
$1,054
Val surprises
Grzegorz Sikorski
Photography - 50 x 50 x 0.2 cm Photography - 19.7 x 19.7 x 0.1 inch
$211
Secret d'alcove
Jean-Pierre Fleury
Photography - 80 x 60 x 3 cm Photography - 31.5 x 23.6 x 1.2 inch
$1,276
De chlore et de rosé
Christopher Barraja
Photography - 90 x 60 cm Photography - 35.4 x 23.6 inch
$1,332
Femme coréenne s'habillant
Sounya Whang
Painting - 40 x 30 x 0.1 cm Painting - 15.7 x 11.8 x 0 inch
$1,077
Broken Myth (Diptych)
Michael James O'Brien
Photography - 76.2 x 101.6 x 0.3 cm Photography - 30 x 40 x 0.1 inch
$5,000
Danza de Fortuna Tres. From the series "Danza de Fortuna"
Ricky Cohete
Photography - 76.2 x 50.8 x 0.3 cm Photography - 30 x 20 x 0.1 inch
$2,222
Danza de fortuna. From the series, Danza de fortuna
Ricky Cohete
Photography - 76.2 x 50.8 x 0.3 cm Photography - 30 x 20 x 0.1 inch
$2,222
Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.