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Haut le cœur,
2021
Thomas Van Hecke
Painting : acrylic
193 x 130 x 4 cm 76 x 51.2 x 1.6 inch
One of the last works available by this artist
Second NOT DISPLAYED BLUR TEXT
Free returns within 14 days
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
193 x 130 x 4 cm 76 x 51.2 x 1.6 inch Height x Width x Depth
Support
Framing
Beige floater frame
Artwork dimensions including frame
193.1 x 130.1 x 4.1 cm 76 x 51.2 x 1.6 inch
Tags
Artwork sold in perfect condition
Artwork location: France
Since 2018, he has been developing his activity as an independent graphic designer. In his work, he seeks above all to share. Creating for the sake of creating does not interest him. For him, art is nothing other than a form of expression, a language. From afar, a dark silhouette stands out. As we approach, we see a young woman, with an empty face, devoid of gaze. Only lines and curves compose her, all magnified by a harmonious mix of blue and black monochromes. Colors judiciously chosen to emphasize "the melancholic blues that we find in music".
Is this woman, judging by her curves, real? For Thomas Van Hecke, she is the very representation of what we see on social networks.
About the seller
Professional art gallery • France
Artsper seller since 2022
Vetted Seller
Imagine it at home
Presentation
8 years of art studies at the Saint Luc Institute (Belgium) allowed Thomas Van Hecke to acquire a large number of techniques and know-how, anchored in his time, he draws inspiration from the world around him by playing with the influence of selfies, social networks and new technologies on our behavior.
"Today's technologies are evolving and changing our behaviors, especially since the emergence of social networks. Rather than judging the transformations that result from them and moralizing users, my work tends to represent the resulting aesthetics.
My own use of social media allows me to see the rise of a new norm, the selfie, or the self-portrait. It is the contradiction between staged, private intimacy and public publication that I wish to illustrate; that is, to depict the passage from the personal to the universal and the paradox that results from it.
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