Hyperrealism

“Hyperrealism" derives from the French “Hyperréalisme," a term coined by Belgian gallerist, Isy Brachot, as the name for his exhibition in 1973. The exhibition included major American Hyperrealists such as Chuck Close, Ralph Goings and Robert Bechtle. Artists would often rely on tracing their works from photographs to create an intensely accurate replica. The Hyperrealists took realism one step further by mixing the real with the unreal. Although their images were based on reality, in creating their works from photographs they actually distanced their art from fact. This is because the Hyperrealists would strive to achieve such a realistic effect in their work, they would add elements to their pieces that were absent from the original photo. This allowed the artists to render their works even more realistic by adding details unseen in the original photo.  

The reliance on photography caused Hyperrealists to explore the realms of reality and artificiality, and examine alternative artistic methods. The representation of light was particularly distinctive in these works. Hyperrealists would use slide machines to project photos onto their canvases, allowing them to capture light in a completely new way and reproduce the glossy effect of a photograph in their paintings. 

Chuck Close: one of the original Hyperrealists, Close is renowned for his huge-scale portraits. A catastrophic spinal artery collapse in 1988 left Close paralyzed, however he has still continued to paint. In 2005, his work John sold at Sotheby's to the Broad Art Foundation for $4.8 million.

Malcolm A. Morley: British-American artist and painter, Morley was one of the pioneers of Hyperrealism. 

Richard Estes: American painter, Estes, would frequently divide his paintings in two, channelling two windows in his works. This would give the effect of looking at two paintings at the same time, and such an effect can be seen in his work Murano Glass, Venice (1976).

Ralph Goings: predominantly painted scenes of everyday American life, Goings sought to portray the realities of the Great Depression in America. His depictions of working class Americans can be seen in his work, Two Waitresses - Afternoon Break.

Audrey Flack: the sole woman of the original Hyperrealists, Flack mostly explored still lifes in her works. Her still life paintings questioned themes of Vanitas, using religious symbols on large-scale canvases.