Spoil of N-icea and Berlin, 2023
Painting : oil, acrylic · 121.9 x 91.4 x 2.5 cm 48 x 36 x 1 inch
Shipping & delivery
Shipped from: Nigeria
Delivery to: France , € 346
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
121.9 x 91.4 x 2.5 cm 48 x 36 x 1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025
Description
A powerful gaze meets the viewer. This striking portrait captures a figure of immense dignity and spiritual weight. The composition centers on a profound intersection of cultural identities. A majestic, jewel-encrusted crown rests upon the head, blending imperial grandeur with sacred symbolism. Its intricate gold detailing and deep blue gemstones suggest a lineage of divine authority.
The subject is draped in vibrant textiles. Bold patterns in green, yellow, and black create a rhythmic visual energy. These fabrics evoke a rich heritage of African craftsmanship and storytelling. The contrast between the dark, neutral background and the luminous skin tones enhances the physical presence of the figure.
Light plays across the face with soft precision. It reveals a contemplative expression and a quiet strength. Every fold of the garment and every facet of the crown is rendered with meticulous care. The artwork explores themes of sovereignty and ancestral pride. It bridges the gap between historical opulence and contemporary identity. The interplay of textures transforms the canvas into a tactile experience. The final effect is one of timeless elegance and cultural resilience.
Presentation
Orioye Bukola, born in 1993 in Osogbo, Orioye is a native of Ekiti State—a graduate of Chemistry from the University of Ibadan, Nigeria. Trained by Mr. Tope Fatumbi of Topfat Art Gallery; Adamasingba, Ibadan 2019. He is inspired by societal issues and life demands, beauty, culture, and African Spirituality – focusing more on the female gender as a conduit to all else. His philosophy is about simplicity and determination without harm none.
Orioye's mind quest has progressed to infused questionings and suppositions in his canvases beyond mere rhetorical aesthetics; (as the trendy atmosphere now seems mostly to suggest). His works speak in metaphors that flow between the past, the present, and the postulation of the future. He probes into relics to unearth anchored reasoning that shares semblances with contemporary happenings.
His stylistic sense is inventive of punkish style piles of hair reminiscent of the 80s and discotheques, parted with sharp oblique angles which are reflections of the hard chiseled surfaces of the Yoruba effigies he introduces into his works, seasoned with a strong sense of fashion.
Orioye is concerned with African spirituality and how it interfaces with the people's identity, memories, worship, and total well-being. This adaptation of the past to interface with the present and postulate a futuristic nuance is evident in his warm leathered-clad supersonic subjects whose demeanor echoes the Star Trek, UFO, and intergalactic Adour of postmodern Hollywood cinematic periods.
This pendulum of interactions between the past, the present, and the futuristic postulations, defines Orioye's works and lends them a certain direction. The combinations create inquisitiveness for explorations that permeate the borrowed eras, espousing bygone traits of exhumed investigative nuances, memories, identities, and spirituality of bygone cultural epochs. It will be exhilarating to calmly observe the growth of Orioye Bukola's sojourn in the interpretations of his curious and investigative narratively placed overtures.
Reviews from our customers
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