Virgin Mary in Lily Garden, 2026

Dasha Pogodina   Best sellers Emerging artists

This artwork is shipped rolled in a protective tube (unstretched) for safe international delivery. The canvas includes an additional 2 inches (5 cm) of material on each side for professional stretching on a wooden frame. The dimensions stated in the listing refer to the final size of the artwork after stretching.

ABOUT THE ARTWORK

Virgin Mary in Lily Garden

Virgin Mary in Lily Garden reimagines the sacred feminine through the intimacy of everyday life. Drawing on the Christian symbolism of the Virgin Mary and the lily as an emblem of purity, the work challenges the traditional opposition between holiness and female sexuality. The domestic setting becomes a contemporary sanctuary where femininity is no longer defined by sacrifice, chastity, or unattainable ideals.

Within Perichoresis, the painting proposes a different understanding of the sacred: one rooted in the freedom to inhabit one's body, embrace pleasure, and experience love without shame. Here, divinity is not a distant ideal but something present in ordinary moments of tenderness, companionship, and the simple joy of being oneself.

PERICHORESIS SERIES 

“Perichoresis" (ancient Greek περιχώρησις - “interpenetration"), a theological term meaning the mutual penetration of divine parts into each other, to describe a unique union that does not imply mixing or merging, but emphasizes an indivisible unity.

Daria explores the theme of new sexuality, deliberately choosing a term from theological treatises for her series of works.

With this gesture, she protests against the dictates of religion, the church's manipulation and pessimization of human sexual manifestations and physicality, the false meanings and concepts with which religions have burdened, and instead of building true connections and bridges for man and God, they build walls.

“Perichoresis" for her is a beautiful and complex term that describes the fusion of the divine and the material. Having grown up in the Protestant tradition within an Orthodox society, Daria notes the common separation of sexuality from divinity in all these religions, while she sees sexuality as the clearest manifestation of divinity, beauty, and sublimity.

The artist notes that Christian culture has invested the image of the female body with a narrative of pornographic tension, while at the same time presenting paradise before the Fall as a sexual paradise, the Garden of earthly pleasures. For the artist, sexual paradise is a safe environment, complete trust, acceptance, the opportunity to open up and discover the Other, the opportunity to learn to be loved and to love.

Love is an environment where merging does not dissolve in another person, but on the contrary, strengthens the individuality of each and enriches each other.

Thus, the artist reminds that the division into the sublime and the low in love is artificial, and overcoming this division can make life more beautiful. The heroes of her paintings are immersed in the enigmatic space of love, and sometimes there are ironic scenes that balance the degree of sublimity.