This artwork is shipped rolled in a protective tube (unstretched) for safe international delivery. The canvas includes an additional 2 inches (5 cm) of material on each side for professional stretching on a wooden frame. The dimensions stated in the listing refer to the final size of the artwork after stretching.
ABOUT THE ARTWORK
In We’ll Protect You, My Lady, the artist reimagines the traditional idea of protection through tenderness, loyalty, and a touch of playful irony. Two mythical guardians surround a woman crowned with a golden halo, creating a world where strength exists not to dominate, but to offer safety and devotion.
The painting challenges the conventional relationship between power and vulnerability. The woman is neither helpless nor dependent on her protectors. Instead, she occupies the center of a world where love is expressed through care rather than control, and where even the fiercest creatures can become gentle in the presence of trust.
Within the series, the work reflects the artist's vision of intimacy as a sacred space where vulnerability and strength coexist. Protection does not imply possession, and love does not demand submission.
Through its fairy-tale imagery and subtle humor, the painting celebrates a simple yet powerful idea: true devotion is not about having power over someone, but using one's strength to make them feel safe and free.
PERICHORESIS SERIES
“Perichoresis" (ancient Greek περιχώρησις - “interpenetration"), a theological term meaning the mutual penetration of divine parts into each other, to describe a unique union that does not imply mixing or merging, but emphasizes an indivisible unity.
Daria explores the theme of new sexuality, deliberately choosing a term from theological treatises for her series of works.
With this gesture, she protests against the dictates of religion, the church's manipulation and pessimization of human sexual manifestations and physicality, the false meanings and concepts with which religions have burdened, and instead of building true connections and bridges for man and God, they build walls.
“Perichoresis" for her is a beautiful and complex term that describes the fusion of the divine and the material. Having grown up in the Protestant tradition within an Orthodox society, Daria notes the common separation of sexuality from divinity in all these religions, while she sees sexuality as the clearest manifestation of divinity, beauty, and sublimity.
The artist notes that Christian culture has invested the image of the female body with a narrative of pornographic tension, while at the same time presenting paradise before the Fall as a sexual paradise, the Garden of earthly pleasures. For the artist, sexual paradise is a safe environment, complete trust, acceptance, the opportunity to open up and discover the Other, the opportunity to learn to be loved and to love.
Love is an environment where merging does not dissolve in another person, but on the contrary, strengthens the individuality of each and enriches each other.
Thus, the artist reminds that the division into the sublime and the low in love is artificial, and overcoming this division can make life more beautiful. The heroes of her paintings are immersed in the enigmatic space of love, and sometimes there are ironic scenes that balance the degree of sublimity.