Before Shame, 2026
Painting : oil · 90 x 50 x 2 cm 35.4 x 19.7 x 0.8 inch · Ready to hang
€19,500
19 500 €
Shipping & delivery
Shipped from: Russian Federation
Delivery to: Germany , € 108
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
90 x 50 x 2 cm 35.4 x 19.7 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
Reworked between 2021 and 2026, this painting grew alongside Maria’s daughter. A single image of the child became several facets of her personality, gathered beneath a rising burst of yellow paint.
The painting changed as Maria’s own life changed. Its release of colour marks her return to the easel and the completion of a work that accompanied a period of inner transformation.
From the series The Anatomy of Shame.
Signed on the back.
Oil and modelling gel on linen canvas.
Presentation
Maria Hazanskaia, working under the name Hazart, creates figurative paintings that explore inner experience: fear, freedom, belonging and the search for oneself. Working in oil on canvas, sometimes with acrylic and textured materials, she gives emotions a tangible form through the human figure, symbolic colour and richly worked surfaces.
Her paintings begin with lived experience. A child at play becomes an image of unguarded joy; a gathering of artists becomes a home beyond time and borders; a figure moving towards darkness becomes a reflection on courage. Within her series Only for the Mad, painting is a way to explore the distance between what we see and what we feel.
Her practice brings painting and performance into the same space. Maria paints nude: the body, movement and time at the easel are part of the work. Many paintings are filmed as they take shape, so each finished canvas opens onto the gestures and hours behind it. Alongside the figurative work, she makes abstract pieces in which colour and texture take the foreground.
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