The Silent Language of Innocence, Circa 2022
Painting : Watercolour · 35.56 x 25.4 x 1 cm 14 x 10 x 0.4 inch
€650
650 €
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Shipped from: Latvia
Delivery to: Germany , € 59
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour on paper
Dimensions ( cm • inch )
35.56 x 25.4 x 1 cm 14 x 10 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
A child’s blue-green gaze becomes the centre of a portrait shaped by gentle washes and lively colour.
In "The Silent Language of Innocence", Azhar Mehmood balances detailed facial observation with the fluid possibilities of watercolour. Warm pink and ochre passages give the face volume, while softly defined contours preserve a sense of lightness.
Curled hair frames the forehead beneath a cap painted in turquoise, violet and red. These colours reappear in the surrounding washes, connecting the figure with an open, luminous background.
The blue-green clothing introduces deeper colour below the face. An orange collar adds warmth, guiding attention back towards the expression.
The artist associates the work with the tenderness and curiosity of childhood. The slight tilt of the head, attentive eyes and composed mouth suggest a moment of quiet awareness without assigning a fixed story to the sitter.
Within its intimate format, the painting invites close observation of the small details through which emotion becomes visible.
Rarity: Unique original artwork — 1/1
Signature: Signed on the front, lower right
Includes a Certificate of Authenticity issued by Abstract Art Gallery, Riga, and the gallery’s lifetime authenticity guarantee under its applicable terms.
Presentation
Azhar Mehmood is a Pakistani visual artist working across hyperrealistic portraiture, pencil drawing, landscape painting and Arabic calligraphy. He began making art in childhood and has developed his practice over fourteen years.
His artistic interests centre on human expression, nature and cultural heritage. Through portraiture and drawing, he explores the descriptive possibilities of line, tone and closely observed detail. His landscapes provide a complementary space for engaging with natural forms and atmosphere.
In his Arabic calligraphy, Mehmood brings written language into dialogue with visual structure. Faith and spirituality inform this aspect of his practice, alongside an appreciation of the ornamental and compositional traditions of Islamic art.
Mehmood is also developing a body of abstract work, expanding his approach towards more intuitive expressions of emotion and responses to nature. His practice continues to evolve through the exchange between representational precision, calligraphic form and creative experimentation.
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