Number 5, 2021
Painting : collage · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch · Ready to hang
£1,936
1 936 £GB
One of the last works available by this artist
Shipping & delivery
Shipped from: Poland
Delivery to: United Kingdom , £ 131
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
The artwork is inspired by illegal street art on city walls , which are covered with multiple layers of advertisements, posters, flyers, drawings and graffiti tags. The walls are often repainted in order to clean them out, but some layers can still break through the white paint. The wall lives it's own life and never stops changing. It becomes an unending urban piece of art. The artist's goal is to transfer the image of a street art wall onto the canvas. The painting is made by creating many layers of various media that overlap each other. To create the artwork the author uses various materials like acrylic paint, scraps of paper ripped out of newspapers and pieces of fabric fixed to the canvas. The painting has a thick texture and a shiny finish layer.
Presentation
Tomasz Brynowski is a Polish artist and architect based in Katowice, where he was born in 1985. He studied Architecture and Urban Design at the Silesian University of Technology and Wrocław University of Science and Technology. A licensed architect and member of IARP and SARP, he has developed his artistic practice alongside his architectural career, working in Barcelona, London, and Katowice.
His work explores the visual language of the city, drawing on street art, pop art and poster design. Early paintings focused on portraits and female figures, using bold close-ups and simplified forms. His involvement in street art during the 2010s, particularly his exposure to London's Shoreditch scene, helped shape his distinctive approach to image-making.
Inspired by urban environments of big European and American metropolises, Brynowski recreates the layered character of city walls on canvas. His paintings combine acrylics, screen printing, spray paint, stencils, markers and collage. Fragments of posters, newspapers, and magazines, alongside digitally processed photographs, become elements of complex compositions built through successive layers, textures, and interventions.
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