Drôle de famille, 2026
Painting : oil, marker, mixed media · 65 x 55 x 1 cm 25.6 x 21.7 x 0.4 inch · Ready to hang
CHF 744
744 CHF
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 67
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
oil , marker , mixed media on cardboard
Dimensions ( cm • inch )
65 x 55 x 1 cm 25.6 x 21.7 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
75 x 65 x 2 cm 29.5 x 25.6 x 0.8 inch
Sold by
Independent artist
Credentials
Vetted seller since 2021
Description
The gaze first falls on two intertwined faces. The black line emphasizes clear contours. The composition plays on a marked contrast between warm tones and cool shades.
The artist uses oil sticks to create thick material. This technical choice brings a raw aspect to the surface. The textures interweave. The gesture remains instinctive.
Two figures face each other. One displays a serene smile. The other reveals clenched teeth in a red rectangle. The eyes diverge. Some are realistic. Others are exaggerated or simplified.
This visual tension translates an inner dialogue. It opposes wisdom to insubordination. The raw cardboard background reinforces the spontaneous nature of the creation.
The work focuses on the expression of the face. The painting becomes a mirror of emotions. The whole ends with flat areas of blue and dark red at the base of the support.
The artist uses oil sticks to create thick material. This technical choice brings a raw aspect to the surface. The textures interweave. The gesture remains instinctive.
Two figures face each other. One displays a serene smile. The other reveals clenched teeth in a red rectangle. The eyes diverge. Some are realistic. Others are exaggerated or simplified.
This visual tension translates an inner dialogue. It opposes wisdom to insubordination. The raw cardboard background reinforces the spontaneous nature of the creation.
The work focuses on the expression of the face. The painting becomes a mirror of emotions. The whole ends with flat areas of blue and dark red at the base of the support.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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