Mutation, 2026
Eric Doisy  

Sculpture : oil, marker · 78 x 20 x 2 cm 30.7 x 7.9 x 0.8 inch

CHF 837 837 CHF
Shipping & delivery

Shipped from: France

Delivery to: Switzerland , CHF 97

Estimated delivery: One to two weeks

Free returns within 14 days, full refund

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Sold with certificate of Authenticity from the gallery

Invoice from the gallery Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

oil , marker on wood , without pedestal

Dimensions ( cm • inch )

78 x 20 x 2 cm 30.7 x 7.9 x 0.8 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2017 • Top Seller

Description

The gaze immediately captures attention. On an oblong support, a face fragments and recomposes. The oil and marker intertwine in an instinctive gesture. The features are raw, almost wild.

The composition plays on marked chromatic contrasts. Green dominates the center of the face, while purple and brown tones structure the shadows. The asymmetry of the eyes reinforces this inner tension. One remains fixed, the other seems to widen.

This approach is in line with the art brut. The black line, thick and nervous, delineates an ambivalent expression. Between sadness and provocation, the portrait becomes a psychological mirror. The work of the material is tactile. One can discern the direct application, the physical contact with the canvas.

The background gives way to drips and spontaneous inscriptions. These elements recall the aesthetic of graffiti. The whole forms a hybrid figure, both human and monstrous. This painting of 2026 explores the duality of identity through a figurative portrait.

Portrait

Art brut

Expressionism

Faces

Green

Pink

Eric Doisy

France  • 1965
87 followers

Presentation

I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.

I express myself through painting as others scream or cry.

I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.

My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.

My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.

If my paintings could speak, they would surely say:

“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.

Reviews from our customers

All our reviews are extracted from Verified Reviews

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