Who am I ? I, 2026
Sculpture : marble, plastic, gold leaf · 47.5 x 33 x 8.5 cm 18.7 x 13 x 3.3 inch
€3,400
3 400 €
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Shipped from: France
Delivery to: Germany , € 102
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Engraved signature
Dimensions ( cm • inch )
47.5 x 33 x 8.5 cm 18.7 x 13 x 3.3 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
Collected in the alleys of Naxos, the polystyrene packaging — designed for single use and immediate disposal — becomes, in this series, the raw material for a work of reappropriation. Ephemeral in their function, but almost eternal in their composition, these fragments of plastic reveal the paradoxical fragility of our consumer society.
By patiently covering the surface of these industrial forms with gold leaf, the ephemeral becomes anchored in duration: from residue is born the relic, from waste, the monument. The gold leaf ironically sanctifies these vestiges of daily life and highlights inscriptions that remain as many questions.
Between offering and confrontation, these sculptures question the modern cult devoted to consumer objects and unveil the spiritual dimension hidden in the discards of our time.
Presentation
Léo Souton was born in 1997. After studying Biology and taking a gap year in Australia, he turned to architecture. He graduated from ENSA Paris-Belleville in 2024 and now lives and works between Paris and the Lozère region. Emphasizing formal freedom, Léo Souton seeks to question our relationship to the materials we use.
Nourished by his experiences, he shapes a sculptural language where a wide diversity of techniques and materials intersect. From this richness emerge hybrid entities with forms that are both geometric and organic, as if from another reality. In reaction to the excesses of the consumer system and its effects on living beings, Léo recovers discarded materials and objects, giving them new life in sculptures—"entities" that reinvent the link between humankind and what it considers "the rest."
Exploring innovative assembly techniques, he invites us into a reinvented imagination, offering a new form of beauty to elements considered unusable. He gives his sculptures postures that allow them to observe us, to challenge us, and perhaps even seduce us. Thus, each sculpture is accompanied by a narrative designed to engage us, to transcend the anthropocentric view of the world, and to offer matter a chance for redemption.
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