Duos, 2026
Sculpture : wood, Organic materials, assemblage · 19.5 x 11.5 x 4.5 cm 7.7 x 4.5 x 1.8 inch
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 26
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
wood , Organic materials , assemblage , without pedestal
Dimensions ( cm • inch )
19.5 x 11.5 x 4.5 cm 7.7 x 4.5 x 1.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022
Description
This composition explores the dialogue between raw material and confinement.
Driftwood, sculpted by time and elements, rests in a casing of light wood.
Organic fragments lean against sober walls.
Crinkled paper of a deep red envelops the natural elements.
This chromatic contrast emphasizes the fragility of the woody textures.
The arrangement evokes an object of curiosity or a precious relic.
The light glides over the asperities of the wood and the folds of the paper.
The whole creates a balance between geometric rigor and organicism.
The play of volumes brings a tactile depth to the scene.
The dark red saturates the space and isolates the central elements.
Each piece of wood presents shades of gray and beige.
The rectangular structure precisely frames this mineral and vegetal dialogue.
Presentation
A latecomer to the artistic world, Flora Guéton, a self-taught artist from Puy de Dôme, expresses herself through the materials she collects. Everything around her inspires her; she observes, feels, and imagines. Echoing a slow, painful but necessary personal metamorphosis, she finally allows herself to express the excess of a heightened sensitivity and her condition as a woman through her works.
Wood, fabrics, shells, old objects...worn, patinated, dented, piled up like second-hand treasures, she assembles them, lets them compose. Through poems, she continues to take the viewer to the depths of her characters.
A combination of perfectly imperfect materials, reflections of our human singularities, she works around time. A bridge; between the world before and the world after. Like a cabinet of curiosities, warmed by forgotten colors, a melancholy of times past emerges, the strong presence of our sacred heritage, and the trembling uncertainty of a mortal future.
A marriage of singular art and upcycling, without varnish and a minimum of fixatives, she leaves her work free to move, age and acquire a patina in a perpetual movement.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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