White Design for Sale
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Foglia - '643' Fable
Elio Martinelli
Design - 43 x 46 x 46 cm Design - 16.9 x 18.1 x 18.1 inch
€1,200
Maeduep; A Cicada. Candle sconce / Backflow Incense Burner
WKND Lab
Design - 105.9 x 34.8 x 18.8 cm Design - 41.7 x 13.7 x 7.4 inch
€1,721
Pez Dispenser 1984 (after Jean-Michel Basquiat)
Jean-Michel Basquiat
Design - 80.5 x 20.5 x 1.2 cm Design - 31.7 x 8.1 x 0.5 inch
€250
Untitled (Snake) (after Keith Haring)
Keith Haring
Design - 80 x 20 x 2 cm Design - 31.5 x 7.9 x 0.8 inch
€318
Six Dishes Serie Spighe Spikes Series
Piero Fornasetti
Design - 17.5 x 17.5 x 2 cm Design - 6.9 x 6.9 x 0.8 inch
€3,500
Sculpture lumineuse B 104
Amélie Baudin
Design - 52 x 11 x 11 cm Design - 20.5 x 4.3 x 4.3 inch
€2,500
Sagamore short bowl Tondo Doni
Mario Cioni
Design - 9 x 30 x 30 cm Design - 3.5 x 11.8 x 11.8 inch
€800
Fight AIDS (after Keith Haring)
Keith Haring
Design - 80.5 x 20.5 x 1.2 cm Design - 31.7 x 8.1 x 0.5 inch
€250
Crack Down (after Keith Haring)
Keith Haring
Design - 80.5 x 20.5 x 1.2 cm Design - 31.7 x 8.1 x 0.5 inch
€250
Lucilla Table Lamp
Gianfranco Frattini
Design - 55 x 49 x 49 cm Design - 21.7 x 19.3 x 19.3 inch
€2,500
Grande Mortaio Bronzeo for Martini & Rossi
Piero Fornasetti
Design - 23.5 x 23.5 x 4 cm Design - 9.3 x 9.3 x 1.6 inch
€350
Alambicco Plate for Martini & Rossi
Piero Fornasetti
Design - 23.5 x 23.5 x 4 cm Design - 9.3 x 9.3 x 1.6 inch
€350
Skyphos Plate for Martini & Rossi
Piero Fornasetti
Design - 23.5 x 23.5 x 4 cm Design - 9.3 x 9.3 x 1.6 inch
€340
Servizio Per Porto Plate for Martini & Rossi
Piero Fornasetti
Design - 23.5 x 23.5 x 93 cm Design - 9.3 x 9.3 x 36.6 inch
€350
Carro Vinario Plate for Martini & Rossi
Piero Fornasetti
Design - 23.5 x 23.5 x 4 cm Design - 9.3 x 9.3 x 1.6 inch
€360
Il Primo Tino Plate for Martini & Rossi
Piero Fornasetti
Design - 23.2 x 23.2 x 4 cm Design - 9.1 x 9.1 x 1.6 inch
€350
Porron Plate for Martini & Rossi
Piero Fornasetti
Design - 23.5 x 23.5 x 4 cm Design - 9.3 x 9.3 x 1.6 inch
€350
Rhyton Plate for Martini & Rossi
Piero Fornasetti
Design - 23.5 x 23 x 4 cm Design - 9.3 x 9.1 x 1.6 inch
€350
Trozzella Plate for Martini & Rossi
Piero Fornasetti
Design - 23.5 x 23.5 x 4 cm Design - 9.3 x 9.3 x 1.6 inch
€350
Lounge Chair and Pouff "Canada"
Osvaldo Borsani
Design - 110 x 130 x 200 cm Design - 43.3 x 51.2 x 78.7 inch
€3,200
Console Table Camo Marble Calacatta Viola
Un'common
Design - 85 x 50 x 28 cm Design - 33.5 x 19.7 x 11 inch
€4,500
Vintage Murano Glass Vase Model 5357
Aureliano Toso
Design - 39 x 14 x 14 cm Design - 15.4 x 5.5 x 5.5 inch
€3,400
Porcelaine de Rêve - Bleu N°6
Anany
Design - 0.3 x 20.5 x 20.5 cm Design - 0.1 x 8.1 x 8.1 inch
€240
Oinochoe Plate for Martini & Rossi
Piero Fornasetti
Design - 23.5 x 23.5 x 4 cm Design - 9.3 x 9.3 x 1.6 inch
€350
Love Sculpture (red, blue and white)
Robert Indiana
Design - 15 x 15 x 7 cm Design - 5.9 x 5.9 x 2.8 inch
Sold
Irony of negro policeman (after Jean-Michel Basquiat)
Jean-Michel Basquiat
Design - 80.5 x 20.5 x 1.2 cm Design - 31.7 x 8.1 x 0.5 inch
Sold
Vintage table lamp for Mazzetta
Carlo Nason
Design - 50.2 x 30.5 x 30.5 cm Design - 19.8 x 12 x 12 inch
Sold
Discover the selection of our experts
Breeze - Arm Chair
Poonam Choudhary
Design - 73.7 x 65 x 82 cm Design - 29 x 25.6 x 32.3 inch
€1,173
3 Bassins - Numéro 1
Louis Bottero
Painting - 40 x 59 x 2 cm Painting - 15.7 x 23.2 x 0.8 inch
€1,400
Regarder le temps passer
Ben
Fine Art Drawings - 27 x 23.5 cm Fine Art Drawings - 10.6 x 9.3 inch
€4,000
White Design for Sale
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!