
Jour de repos,
Circa 2021
Taner Yilmaz
Painting : oil
130 x 150 x 3 cm 51.2 x 59.1 x 1.2 inch
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
130 x 150 x 3 cm 51.2 x 59.1 x 1.2 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Belgium
This captivating work presents a bold and dynamic interior scene. In the center, a figure seated on a blue sofa stands out with blurred facial features, drawing the eye into the complexity of the context. Around her, a white-spotted dog appears to rest, a peaceful presence contrasting with the surrounding chromatic chaos. The floor, a vibrant pattern of bright colors, creates an intriguing visual interplay, reflecting an almost dreamlike atmosphere. The dark background highlights the intensity of the colors and deconstructed forms, evoking raw emotion and artistic vitality. The floor lamp on the left adds a subtle balance to the composition. This painting seamlessly blends abstraction and realism to create a striking and unforgettable visual experience, prompting reflection on the interplay between order and disorder.

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Presentation
Taner Yılmaz est né à Francfort en 1981 et a ensuite déménagé à Bursa, en Turquie. Il a commencé à peindre dès son enfance, s'immergeant dans l'histoire de l'art et étudiant les œuvres des grands maîtres tels que Velázquez et Rembrandt. Les peintures de Yılmaz sont profondément personnelles, servant de moyen pour lui d'exprimer des émotions et des idées venues de son subconscient. Son approche de l'art est une exploration des sentiments intérieurs, traduits en images vibrantes et évocatrices.
Se concentrant principalement sur le portrait, Yılmaz utilise une large gamme de techniques, y compris le cubisme et l'impressionnisme, pour susciter des réponses émotionnelles profondes de la part de son public. Son utilisation de formes fragmentées et de coups de pinceau expressifs crée un effet hypnotique, plongeant les spectateurs dans une expérience sensorielle où ils peuvent presque toucher, goûter, sentir et entendre la scène comme s'ils la vivaient eux-mêmes. Cette qualité immersive est au cœur de son travail, car il invite le spectateur non seulement à regarder, mais à ressentir les émotions ancrées dans le portrait.
"Je crois que je peux capturer l'expression de manière plus efficace dans les portraits. L'expression réside dans les mains, la posture assise et le langage corporel. Les yeux aussi peuvent communiquer une multitude d'émotions sans prononcer un mot. Je considère mon travail comme réussi s'il peut hypnotiser le spectateur, même pendant un bref instant, lorsqu'il s'y engage."
Les œuvres de Yılmaz ont été exposées dans de nombreuses expositions personnelles et collectives au Royaume-Uni, en Hollande, en Turquie, aux États-Unis et au Canada. Sa capacité à fusionner des compétences techniques avec des expériences sensorielles brutes lui a valu une reconnaissance dans le monde de l'art contemporain.
Painters
Turkish artists
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