1979 South Korean Figures Collection MMCA Museum Modern Contemporary Art Seoul, 1979
Boong Hyun Choi

Photography : cibachrome

40 x 40 x 0.3 cm 15.7 x 15.7 x 0.1 inch

€1,300

One of the last works available by this artist

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About the artwork

Type

Numbered and limited to 10 copies

1 copy available

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

40 x 40 x 0.3 cm 15.7 x 15.7 x 0.1 inch Height x Width x Depth

Framing

Beige wood frame

Artwork dimensions including frame

50 x 50 x 1 cm 19.7 x 19.7 x 0.4 inch


Artwork sold in perfect condition

Artwork location: France

CHOI Boong Hyun (1941 Seoul, South Korea).
Figure, 1979, original Ektachrome and photo print of his oil on canvas. CHOI Boong Hyun is a Major Artist and Founder of L'Art Informel in South Korea and the Zero Group known as Mu. Shows Exhibitions, Groupe Zéro 1962, Groupe Infini Exhibition 1974, 1st Biennale of Seoul, 1974, Masan Gallery Seoul, 1975, 1976, Han Kook Gallery, Seoul, 1979, Paris Arts Olympiads Organized by the Galerie Lise Cormery for the Committee Olympic CNOSF, Mori Art Museum, Tokyo 2015.
CHOI Boong Hyun is a great accomplished painter, but he is also known for his Installations and his performances, including “Stovepipe” and his “Happening of the Umbrella” (nuclear) and candles which is the first Happening which will take place in Seoul. CHOI Boong Hyun, December 14, 1967 at 4 p.m. “Happening with a Plastic Umbrella and Candles”. Participants danced in a circle around CHOI and sang the Korean Resistance Anthem “Birds, Birds, Blue Birds” by Jun Bong Joon, 1894. The umbrella was the symbol of the American nuclear umbrella and the fear of North Korea. After fierce Japanese colonialism on Taiwan and South Korea from 1905 to 1945, followed by three years of war from 1950 to 1953, South Korea was gradually reborn from its ashes with General Park Chung-Hee President from 1962 to 1979 who ruled South Korea. But CHOI, the founding artist of informal art in South Korea, and a certain youth criticized the socio-political paradoxes by denouncing American investments, but also more sadly the investments of the Japanese following his dictatorship over the country from 1905 to 1945.
South Korea had suffered martyrdom under Japanese rule for so many years and poverty was still rife, hence "The 'Stovepipe' Installation" by CHOI Boong Hyun, which depicts the modest ovens made of bricks for the warmth and cuisine that poor Koreans, then the majority, had to make do with. Indeed, Japan had enriched itself at the expense of Korea which it had bled dry, but, paradoxically, triumphed with the Tokyo Olympic Games in 1964 and the Shinkansen train, while deep poverty was rife in South Korea because of the past Japanese invasion and the country was undergoing a new military dictatorship. Even if Iris Clerc in her Paris gallery had the idea of ​​the scenography of the performance “Le Vide” (The Void) in her gallery, in order to launch her beginner artist Yves Klein, with his “Anthropométries”, the concept of Performances were then new and provocative, but with the sole aim of attracting journalists and the public and commercializing the art. Likewise, Hunger-Pegof in Austria, at the end of the Viennese Actionism movement, used his 'Happenings' as provocations in order to make an impression. But if the Revolution of 68 was that of spoiled children in France, the performances of South Korea were those of a courageous youth engaged in the criticism of tragic historical and political sociological events who suffered prison or attacks on their fundamental freedom.
Excerpt from “The Art of the Post-War Paris School”, Lise Cormery, Michelangelo publications, Paris 2020.
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GALERIE LISE CORMERY • France

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Boong Hyun Choi, 1979 South Korean Figures Collection MMCA Museum Modern Contemporary Art Seoul
South Korea  • 1941

Presentation

Choi Boong Hyun, born in South Korea in 1941, is a Major Artist and Founder of Informal Art in South Korea and of the Zero Group called Mu. He is also a talented painter and photographer who exhibits internationally: Group Zero Exhibition 1962, Infinite Group Exhibition 1974, 1st Seoul Biennale, 1974, Masan Gallery Seoul 1975 1976, Han Kook Gallery Seoul 1979 Tribute to the Mori Art Museum in Tokyo in 2015. Choi Boong Hyun, Founder of Informal Art of South Korea is a committed artist, he was the first to organize artistic and political public performances in Seoul as early as 1967. But if the "Revolution of '68" in France was that of the spoiled children of the petty bourgeoisie, South Korea's performances were those of a courageous youth engaged in the criticism of tragic sociological, historical and political events, and artists were threatened. 

The installation of Choi Boong Hyun, Stovepipe, Happening of the (Nuclear) Umbrella and Candles & Anthem of the Korean Resistance Birds, Birds, Blue Birds by Jun Bong Joon, (1894), takes place in Seoul on December 14, 1967 at 4:00 pm. This 1967 performance denounces American but also paradoxically Japanese investments when South Korea suffered martyrdom under the Japanese yoke for so many years and the resulting misery is still rife. Indeed, Japan had become rich at the expense of Korea, which it had bled dry, but triumphed with the 1964 Tokyo Olympics and the Shinkansen train, while poverty was rampant in South Korea and the country was under a military dictatorship. The artist was part of South Korea's selection for the Olympiades des Arts organized by the Galerie Lise Cormery for the French National Olympic and Sports Committee in 1991 and 1992 in Paris, on the occasion of the 1992 Olympic Winter Games. This followed the Seoul Olympics of the Arts where the city will create for this occasion a painting museum and a museum of monumental sculptures in the open air with invited artists from all over the world to exhibit and represent the art of the 20th century.

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