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Jeu double en jaune,
2024
Sophie Inard
Sculpture : acrylic, cotton thread
64 x 28 x 3 cm 25.2 x 11 x 1.2 inch
€900
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About the artwork
Type
Unique work
Signature
Engraved signature
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
64 x 28 x 3 cm 25.2 x 11 x 1.2 inch Height x Width x Depth
Display
The sculpture cannot be displayed outdoors
Tags
Artwork sold in perfect condition
Artwork location: France
This unique work transforms a tennis racket into a work of art.
The black frame contrasts sharply with the crochet mesh mosaic dominated by yellow, lavender, and white tones. This juxtaposition of colors creates a striking visual harmony.
By transforming a functional sporting object into a colorful and ornamental piece of art, the artist challenges the boundaries between art, sport and everyday life.
Witnessing an innovative perspective, this piece illustrates the dialogue between tradition and modernity, making the ordinary extraordinary.
About the seller
Professional art gallery • France
Vetted Seller
Discover more by the artist
Granny on the green Rouge
Sophie Inard
Sculpture - 68 x 6 x 2 cm Sculpture - 26.8 x 2.4 x 0.8 inch
€1,500
Presentation
Sophie Inard is a French artist based in Paris.
Her work explores the intersections of gender, power, and identity, playing with the tensions between softness and strength, intimacy and spectacle. Using vintage objects and hand-crocheted forms, she transforms familiar items into vessels of memory and contradiction.
By wrapping objects in crochet—a gesture that both protects and reveals—she investigates what we choose to hide or expose, and how history leaves its trace. Her handmade process, slow and intentional, stands in quiet resistance to a culture of speed and disposability.
Her work is currently exhibited at the McNay Art Museum in San Antonio, Texas, as part of the 5-month exhibition.
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Sophie Inard is a French artist based in Paris.
Her work explores the intersections of gender, power, and identity, playing with the tensions between softness and strength, intimacy and staging. Using antique objects and hand-crocheted forms, she transforms familiar objects into receptacles of memory and contradictions.
Wrapping an object in mesh—a gesture that is both protective and revealing—becomes a way for her to question what we choose to hide or show, and how history is inscribed in the material. This slow, manual, and deliberately anachronistic process offers a silent resistance to the culture of speed and throwaways.
Nine of his works are currently on display at the McNay Art Museum in San Antonio, Texas, as part of the exhibition.
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