Abstract artworks
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Invisible sea
Stanislav Lazarov
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$2,386
On vient me parler de la réalité, j'invite à regarder la montagne (série 11 vues des Pyrénées)
Serge Sauniere
Print - 45 x 56 x 0.01 cm Print - 17.7 x 22 x 0 inch
$555
Rêve d’immensite I
Aurélie Lotus
Painting - 150 x 80 x 4 cm Painting - 59.1 x 31.5 x 1.6 inch
$2,087
La vie est belle
Sandrine Jarrosson
Painting - 116 x 89 x 3 cm Painting - 45.7 x 35 x 1.2 inch
$4,107
New York City Cultural Institutions, from the New York, New York portfolio
Robert Motherwell
Print - 76.2 x 57.2 x 0.1 cm Print - 30 x 22.5 x 0 inch
$3,219
One Summer Day XXL 2
Peter Nottrott
Painting - 100 x 200 x 4 cm Painting - 39.4 x 78.7 x 1.6 inch
$3,208
Les comédiens dans la forêt
Charles Lapicque
Painting - 92 x 65 x 6 cm Painting - 36.2 x 25.6 x 2.4 inch
$53,279
Amazonia
Christelle Ferron (Nasca)
Painting - 150 x 50 x 3 cm Painting - 59.1 x 19.7 x 1.2 inch
$2,087
Sans titre
Raoul Hausman
Fine Art Drawings - 61 x 45.5 x 0.1 cm Fine Art Drawings - 24 x 17.9 x 0 inch
$4,995
Contenedor línea rosa_02
Candela Muniozguren
Sculpture - 15 x 14 x 13 cm Sculpture - 5.9 x 5.5 x 5.1 inch
$2,153
And You Blink, The Rush of Love, and Here I Learn Triptych
Alex Hodge
Sculpture - 10.2 x 22.9 x 7.6 cm Sculpture - 4 x 9 x 3 inch
$600
Alleviation
Nina Narimanishvili
Fine Art Drawings - 42 x 30 x 0.1 cm Fine Art Drawings - 16.5 x 11.8 x 0 inch
$555
Conversation piece
Miguel Sancho
Painting - 150 x 120 x 2 cm Painting - 59.1 x 47.2 x 0.8 inch
$1,998
Untitled 2212
Jill Peters
Photography - 76.2 x 76.2 x 0.3 cm Photography - 30 x 30 x 0.1 inch
$2,000
Wanakiji Jukurrpa (Rêve de tomates sauvages)
Teranie Williams Nangala
Painting - 40 x 30 x 3.5 cm Painting - 15.7 x 11.8 x 1.4 inch
$444
Pacific Sanicle (Full Bloom)
Andrea Simmonds
Painting - 122 x 91 x 4 cm Painting - 48 x 35.8 x 1.6 inch
$2,109
Conexions lunars que venen de rapsodia en colors
Tatiana Blanqué
Painting - 50 x 100 x 4 cm Painting - 19.7 x 39.4 x 1.6 inch
$2,220
The little white butterflies
Alla Grande
Painting - 100 x 80 x 4 cm Painting - 39.4 x 31.5 x 1.6 inch
$2,220
Union V, Terracotta
Delphine Brabant
Sculpture - 45 x 27 x 19 cm Sculpture - 17.7 x 10.6 x 7.5 inch
$5,106
Hommage à Poseidon n°13
Alice Maier
Painting - 100 x 70 x 0.3 cm Painting - 39.4 x 27.6 x 0.1 inch
$499
All is not what it seems
Jean-Luc Curabet
Painting - 180 x 120 x 1 cm Painting - 70.9 x 47.2 x 0.4 inch
$7,770
Chromadynamica #95
Felipe Pantone
Painting - 166 x 120 x 4 cm Painting - 65.4 x 47.2 x 1.6 inch
$33,299
Barefoot, Autumn Spark
KaYe Canonigo
Print - 29.7 x 29.7 x 3 cm Print - 11.7 x 11.7 x 1.2 inch
$1,887
La Lisière
Éric Dabancourt
Fine Art Drawings - 70 x 99 x 2 cm Fine Art Drawings - 27.6 x 39 x 0.8 inch
$1,421
Abstract artworks
Abstract art was born at the beginning of the 20th century, more specifically between 1911 and 1917 with the work of four influential painters: Frantisek Kupka, Vassily Kandinsky, Kasimir Malevich and Piet Mondrian . Although each of these artists formulated their own vision of abstract art, a shared historical context explains the concurrent emergence of this artistic movement.
The scientific discoveries of the early 20th century completely revolutionized man's perception of the world. These artists, who were literary and cultured men, were well aware of scientific progress. As Paul Valéry put it, "in the last twenty years neither matter nor space nor time has been what it was from time immemorial". People needed a new language to both express and to comprehend this "new world". These four artists demonstrated a keen interest in the esoteric and occult, which explains why the abstract is presented as a research of another type of truth, a way to elevate one's mind and soul towards new horizons, uncovering the deepest mysteries of humankind. The realm of music truly fascinated these artists; they identified with it and, several of them, especially Kandinsky, used it as inspiration. Music is the epitome of the imponderable and the intangible; it suggests meanings while escaping from reality at the same time.
The influence of artistic movements such as Fauvism and also served as references for the development of the abstract's aesthetic research. Abstraction did not attempt to represent the visible world, but rather to become a "visual language". However, it is essential to bear in mind that each of these four painters took a different path, and that they independently formulated their conception of abstract art.
Abstract art wanted to display an "abstract image," a non-figurative representation, outside of reality. They wanted to create art that was self-sufficient, that could look to itself to find the resources needed to support its existence. Abstract creation often required the artists to unleash their consciousness, to break free of instinctive visual associations. This approach produced powerful artworks which, although free of any literal meaning, retained the ability to provoke strong sensations and feelings in the viewer. The triumph of color, of subjectivity and the lack of conventions, foreshadowed the advent of an art that was liberated and free of any restrictive conventions. Abstract art manifestos laid the foundations of its aesthetic. Kandinsky's letters to the music composer Schönberg demonstrated the porous nature of the genres at a time where serial music was emerging. Both music and painting followed a path of growing “dissonance within the arts". These abstract artworks can demand collector to approach them in a particular. Although the interplay of shapes and colours in abstract art make it a visually accessible style, it is also important to reflect on the works more deeply. They invite the viewer to escape from reality, to consider things according to the prism of the absolute, of essence and absence. They might encourage viewers to adopt a new outlook on the world, where everything is astonishing and where our consciousness is constantly wonderstruck by the world around us.
“Art does not reproduce the visible; it makes visible." - Paul Klee