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Sans-titre, 2011
Vladimir Velickovic   Emerging artists

Fine Art Drawings : ink · 38 x 25 cm 15 x 9.8 inch

CHF 674 674 CHF
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Shipped from: France

Delivery to: Switzerland , CHF 23

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

38 x 25 cm 15 x 9.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

Description
Mixed media - Original drawing in red ink on a black pigment print background - signed and dated in pencil by the artist in the lower middle.

Animal

Black

Red

Vladimir Velickovic, Sans-titre
Serbia  • 1935
237 followers

Presentation

In 1960, Vladimir Velickovic graduated from the Belgrade School of Architecture . It is intended actually to painting and held his first solo exhibition in 1963. After the price of the Paris Biennale in 1965 , he moved there the following year and still lives there today. He is with Dado and Ljuba Popovi, artists of the same generation, one of the main three Yugoslav painters coming in France.

It will have represented Yugoslavia at the Venice Biennale 1972; and from 1983 to 2000 it will be foreman at the École nationale supérieure des Beaux-Arts in Paris and will be an important seat . Witness, in his childhood, of the atrocities committed by the Nazis in Yugoslavia, Vladimir Velickovic expresses through painting , pain and violence of this memory.

In the early 1960s , it determines the themes that appear permanently in his work. He paints men or animals (usually rats or dogs) or vanity paintings whose bodies are confronted with dramatic and terrifying situations.

In 1972 , he produced a series of paintings and drawings inspired by the photographs of Eadweard Muybridge (series of "Descent" [ 1989-1991 ] and "hooks" [ 1983-1991 ]) . He " seeks above all to leave a scar" in the memory of the viewer of the painting.

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