Grand, 2026
Fine Art Drawings : ink · 70.5 x 50 x 0.1 cm 27.8 x 19.7 x 0 inch
CHF 393
393 CHF
Delivered in time for Christmas
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Shipped from: Serbia
Delivery to: Switzerland , CHF 63
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
ink on cotton paper
Dimensions ( cm • inch )
70.5 x 50 x 0.1 cm 27.8 x 19.7 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
"Grand" | Ash-Grey Chromatographic Ink Conceptual Portrait on Cotton Paper Exploring Aging & Perception
“Grand" is a contemporary conceptual portrait executed on cotton paper using chromatographic ink in the author's unique “saccadic graphics" technique. The method visually translates the movement of the eye — its micro-saccades — into layered lines and subtle tonal transitions. From a distance, the artwork appears almost monochromatic, rendered in ash-grey hues. Up close, however, delicate undertones of soft pink and muted green emerge, revealing a nuanced chromatic complexity.
The portrait depicts an elderly man whose weathered face carries traces of time, experience, and quiet resilience. The technique mirrors the way we truly perceive people: at first glance, age may seem faded or “grey," but deeper attention reveals richness, wisdom, and emotional depth. Each wrinkle becomes a cartography of lived experience.
This artwork is ideal for contemporary interiors, collectors of conceptual portraiture, and spaces that value intellectual presence. It makes a meaningful and sophisticated gift — particularly for those who appreciate psychological depth, human stories, and refined minimalist aesthetics in modern decor.
Presentation
Timi O is the artistic name of Olga Timireva, a contemporary artist whose practice is grounded in close observation of the human figure, material transformation, and the relationship between image and lived experience.
Before dedicating herself fully to art in 2022, Timireva studied Public International Law at Lomonosov Moscow State University and spent several years working in human rights, representing individuals before Russian and international institutions. This experience continues to inform her sensitivity to vulnerability, agency, and the ways in which individuals are perceived through larger systems.
Her artistic process begins with fragments that might otherwise pass unnoticed: a face, a gesture, a body, a reflection, or the movement between light and shadow. Removed from their original context, these fragments acquire new psychological intensity.
Timireva works with ink, charcoal, translucent washes, and layered surfaces. In her RED series, she uses red acrylic ink to reinterpret classical sculpture and the human body. Through successive transparent layers, she builds volume while preserving the untouched white paper as light. The process resembles sculpting in reverse: form is constructed through accumulation rather than carved away.
Red becomes both physical and symbolic — recalling blood, warmth, danger, flesh, and vitality. Through this restricted language, Timireva examines the moment when an image stops functioning as an object and begins to feel alive.
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