Today, 2025
Francesco Martini  

Painting : acrylic, charcoal, canvas, mixed media · 100 x 70 x 1 cm 39.4 x 27.6 x 0.4 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

100 x 70 x 1 cm 39.4 x 27.6 x 0.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

This dynamic artwork captivates with its bold strokes and vivid palette. A whirlwind of color, it incorporates striking blues, fiery oranges, and lush greens, clashing yet harmonizing in an intense visual dance. The artist skillfully employs thick, expressive brushwork on a textured canvas, creating depth and movement reminiscent of a natural landscape reimagined. The vivid contrasts between the bright and dark tones evoke a sense of chaos and vitality, inviting viewers to explore the emotional landscape within. The use of negative space cleverly frames and balances the composition, enhancing its visual impact. This piece stands out for its energy and the palpable tension between spontaneity and control, reflecting the artist's mastery in manipulating abstraction to invoke a visceral response. It is a testament to the power of freeform expression, resonating with raw emotion and creative freedom.

Francesco Martini, Today
Italy  • 1997

Presentation

Graduated from the Florence Art Academy

The core of my research starts from the elaboration of my unconscious. The unconscious has always fascinated me as an unknown element, I believe it is the only thing that can be both unexplored and certain, aware that it can hide great talent and uniqueness. In the everyday we see only the tip of a large iceberg, my goal is to get to the other end and observe what may be revealed.

I believe that each of us even once has made a doodle, and not necessarily with pencil or charcoal, and it is in that moment of realization that we see all kinds of anger, joy, sadness or fear, the doodle is so simple but so personal, it helps to get rid of all thoughts, it helps to empty the head, to leave on the paper all that we are, we will come to ask ourselves, " is it art? Or therapy?"

The difference between unconscious and conscious in the doodle lies in being visually aware of the direction, pressure or aesthetic element, the best way not to condition oneself is to close one's eyes and let the body and not the hand carry us, only in this way will the doodle bring out as yet unknown particularities.

To get to the unfolding of the pure doodle, I usually use a large surface that is larger than my body and then find the center of the support; after that with the charcoal I let the body move like a rough sea, never detaching, until the charcoal wears out or breaks.

I would like to be able to connect the world like a big net, a big doodle, it can become a bond between art and non-art. The creative essence is inherent in us, regardless of what we make as well as the doodle that becomes our own unique expression of identity.

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