Bronze Sculpture for Sale
Paris 27, 2016
Painting : paper, collage · 41 x 33 x 3 cm 16.1 x 13 x 1.2 inch · Ready to hang
£921
921 £GB
Shipping & delivery
Shipped from: France
Delivery to: United Kingdom , £ 83
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
41 x 33 x 3 cm 16.1 x 13 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
The gaze gets lost in an interlace of superimposed layers. Red dominates the composition, varying from deep carmine to burnt ochre. Fragments of torn paper accumulate. They create a tactile, almost architectural relief.
Some white letters emerge from the chromatic chaos. They suggest a fragmented message, an urban trace erased by time. The contrast between the rigidity of the typographical characters and the fluidity of the tears brings a jerky visual rhythm.
The artist explores the memory of walls here. Each stratum tells a story. The collage becomes an act of modern archaeology. The light catches the whitish areas, creating points of breath amidst the colored intensity.
The balance rests on the opposition of materials. Smooth paper is adjacent to crumpled and saturated areas. This organic accumulation transforms a simple support into an abstract landscape. The irregular edges of the pasted papers accentuate the sensation of movement. The whole ends with touches of off-white in the lower right corner.
Presentation
Christian Gastaldi is a painter who does not use paint. His pictorial material is the poverty of the common elements to which oblivion and neglect have conferred a humanity.
Like an archaeologist of the present, he collects damaged posters on the walls of the cities he travels through, from Europe to South America. These urban fragments, imbued with the collective memory of a territory, of an era, nourish his plastic vocabulary. Put together, they draw the sensitive cartography of a place, a singular topography.
Back in the studio, he works through gestures devoid of artifice. Working standing up, his brushstrokes are raw tears, handmade, occasionally revealing the stratification of the accumulated papers. He does not paint and yet his works are composed with the same rigor as a painter, particularly attentive to the spatial and chromatic organization of the elements.
But when moving from the street to the canvas, the poster changes its nature. Decontextualized, what remains of its message? If not perhaps the memory of the place, of what has been. It then becomes both trace and index. The perishable material is elevated to the rank of a sacred object.
Christian Gastaldi's abstract canvases evoke sometimes a painting, sometimes a plaster or a textile. From the material traces of a city, they bring forth a poetic abstraction that preserves the memory and identity of the territory. They make us shift from the immediacy of the event to the experience of duration, transforming a sensitive cartography of urban territories into pictorial language.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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