Ambigue, 2026
Painting : oil, Knife Painting · 35 x 27 x 2 cm 13.8 x 10.6 x 0.8 inch · Ready to hang
CHF 1,068
1 068 CHF
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 87
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
oil , Knife Painting on canvas
Dimensions ( cm • inch )
35 x 27 x 2 cm 13.8 x 10.6 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
42 x 34 x 3.5 cm 16.5 x 13.4 x 1.4 inch
Sold by
Independent artist
Credentials
Vetted seller since 2022 • Top Seller
Description
In Ambiguë, Sophie Dumont composes a portrait whose identity remains open. The cream and ocher face is constructed by angular shots, between frontal view and profile. No gaze or smile determines her expression: the presence arises from the tilt of the head, the proportions, and the movement of the bust.
Dark forms, nuanced in brown and burgundy, surround the face and extend into a garment with an oblique collar. Fine red accents highlight the contours, while the bluish-gray background carves out a space around the silhouette.
The oil painting, worked with knife and brush, retains traces of successive layers. Scratches and overpainting reveal the previous colors and give this figure a material depth. The portrait thus allows several possible expressions to coexist, without imposing a single one.
Original work signed, accompanied by a certificate of authenticity.
Presentation
Born in 1964 in Suresnes, near Paris, Sophie Dumont lives and works in Langrune-sur-Mer, in Normandy. Self-taught, she began to paint in 1991 and develops research focused on matter, color, and the construction of space.
Her work unfolds in several series: libraries, abstract landscapes, studios, and geometric compositions gathered under the title Interior Architectures. These ensembles explore the relationships between memory, structure, and human presence. Books become rhythms and volumes; landscapes transform into expanses of color; studios retain the signs of activity and passage. In her geometric compositions, curves and rectangles organize a space where forms can evoke an architecture, an instrument, or a silhouette without fixing themselves in a single representation.
Sophie Dumont works mainly with oil on canvas, palette knife, and brush. The painting is built slowly, through successive layers, superimpositions, scrapes, and erasures. Earlier states remain perceptible and contribute to the depth of the work. The geometry of the compositions thus dialogues with a surface marked by gesture and time.
From one series to the next, her approach maintains this same tension between construction and matter, between what appears and what remains hidden. Her works are shown in France and internationally and are featured in private collections around the world.
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