Blue Labyrinthe, 2024
Painting : acrylic · 140 x 95 x 1 cm 55.1 x 37.4 x 0.4 inch
$3,200
3 200 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: Israel
Delivery to: United States , $ 60
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
140 x 95 x 1 cm 55.1 x 37.4 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
This abstract composition vibrates with raw energy. Bold brushstrokes collide across the canvas. A palette of deep cerulean and emerald green dominates the scene. These cool tones clash with sharp flickers of cadmium yellow and crimson red. The movement is centrifugal. Swirls of paint orbit a luminous center. Thick impasto creates a tangible relief. Light catches the ridges of the pigment. The surface feels alive. Each gesture suggests a sudden emotional release. There is no focal point to anchor the eye. Instead, the viewer is swept into a rhythmic storm of color. The contrast between white highlights and saturated hues adds depth. It evokes a sense of wind or rushing water. The interplay of organic forms suggests a natural chaos. Every layer reveals a sequence of rapid decisions. This artwork captures a moment of pure kinetic expression. The edges of the frame struggle to contain the velocity of the composition. It culminates in a dense layering of forest green and gold at the base.
Presentation
Art for me is the freedom to express the different shades of color of the human soul. Putting the colors on the canvas is a kind of meditation. My hands move in a certain rhythm using a spatula to mix the colors directly on the canvas. I let the colors and my soul choose their direction. In fact the colors take their direction by themselves. I know exactly when my painting is ready, usually when it has reached a certain color balance. My major influences are Monet and Cezanne. I really appreciate the works of Van Gogh, Sissley Renoir and Micheal Angelo. I am fascinated by Japanese art and calligraphy.
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