Beyond the Structure, 2025
Painting : acrylic · 120 x 100 x 0.1 cm 47.2 x 39.4 x 0 inch
€1,300
1 300 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: Egypt
Delivery to: Germany , € 210
Estimated delivery: Two to three weeks
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
120 x 100 x 0.1 cm 47.2 x 39.4 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Beyond the Structure explores the tension between order and fragmentation, where geometric forms break away from familiar architectural patterns and enter a dynamic, ever-changing space. Interlocking planes, sharp angles and overlapping shapes create a sense of movement, depth and visual complexity. A restrained palette of deep navy, cobalt blue, icy blue, black and soft grey establishes a striking contrast between light and shadow. Some forms appear solid and monumental, while others seem to fracture, overlap or dissolve into the surrounding space. The composition challenges the boundaries of conventional structure, inviting the viewer to look beyond visible forms and discover new connections within apparent chaos. It is an exploration of how order can emerge from fragmentation, and how seemingly separate elements can become part of a larger visual whole.Original acrylic painting on canvas. Dimensions: 100 × 120 cm. The artwork will be carefully rolled and shipped in a protective tube. Stretching onto a suitable frame will be required upon arrival.
Presentation
Mohamed Nabil is an Egyptian visual artist and Professor of Graphic Arts based in Alexandria, Egypt. His practice explores geometric abstraction as a means of investigating space, perception, and the relationship between opposing forces. Through carefully constructed compositions, he examines the tension between presence and absence, order and ambiguity, darkness and light, transforming a reduced visual vocabulary into complex spatial experiences.
Trained in graphic arts, Mohamed Nabil holds a Bachelor of Fine Arts from Minia University, a master's degree in Fine Arts, and a PhD in Fine Arts specialising in Graphic Arts. In 2024, he was appointed Professor of Graphic Arts at Mansoura University, where he also serves as Head of the Graphic Arts Department.
His artistic language is distinguished by structural precision, geometric reduction, and a sustained interest in the boundaries between the visible and the imagined. Working with acrylic and drawing on the formal discipline of graphic arts, he constructs compositions in which lines, geometric fragments, and negative space become active elements in the perception of depth, movement, and light.
Mohamed Nabil has presented his work in numerous solo and group exhibitions in Egypt and internationally. His solo exhibitions include On the Margins of the Orbit at the Museum of Modern Egyptian Art, Cairo Opera House, in 2025, Orbits at El Gezira Arts Center in 2019, and Constructive Forms at Mansoura University in 2016. His international participation includes graphic arts biennales and triennales in France, Italy, Portugal, Slovenia, Romania, Greece, and other countries.
His distinctions include the Rafea Al-Nasiri Prize for Engraving and Printmaking in 2017 and the Grand Prize at the 18th Youth Salon in 2007. His works are held in institutional collections, including the Museum of Modern Egyptian Art, Bibliotheca Alexandrina, the National Museum of Jordan, and the Castello dei Paleologi Museum of Engraving in Italy.
Alongside his artistic practice, Mohamed Nabil has contributed to contemporary art through university teaching, exhibition curation, and participation on national exhibition juries. His work brings together the analytical rigour of graphic arts and an ongoing investigation into the spatial and conceptual possibilities of abstraction.
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