Menacée n°04, 2021
Painting : acrylic, Posca, Pigments · 140 x 100 x 0.5 cm 55.1 x 39.4 x 0.2 inch
€5,000
5 000 €
Delivered in time for Christmas
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Shipped from: France
Delivery to: Germany , € 119
Estimated delivery: One to two weeks
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
140 x 100 x 0.5 cm 55.1 x 39.4 x 0.2 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
10% of the profits will be donated to panthera org for the protection of big cats in their natural territory. MENACÉE N°04 is the fourth drawing in my MENACÉE series, a project that aims to list, through art, the endangered species on our planet.
Have you ever been breathless, your heart dropping 100 meters, and the feeling that time stops?
That is exactly what I felt when, during a self-drive in the Mburo Lake National Park, in Uganda, a panther appeared in front of my car. It stayed there, a few meters away, for ten minutes. I watched it stretch, feel the vegetation, lie down in a majestic posture, and then slowly leave, disappearing into the wild nature.
This rare and precious encounter with the wild deeply marked and inspired me to create MENACÉE N°4. Realized at Posca and with pigments on paper, this work seeks to capture the grace and power of the panther, but also the fragility of its existence in the face of the threats that weigh on its natural habitat.
With a palette of vibrant shades, subtle contrasts, and meticulous realism, I wanted to pay tribute to this elusive animal and the beauty of these suspended moments where life reveals itself in all its splendor. This panther, a symbol of endangered big cats, becomes here a voice for these precious ecosystems, a visual poetry that invites reflection on the urgency of their protection.
Presentation
The living world drawn in color, by La Robotte!
La Robotte is the artist name of Valérie Chauffour Blémy, an artist and illustrator who develops a unique universe at the crossroads of art, science, and imagination. She translates her graphic language in her paintings and digital works as well as in 2D animation and volume creations.
Independent and passionate about art and science forever, she first oriented herself towards a scientific path before pursuing studies in applied arts in Paris, then scientific drawing at the Muséum national d'Histoire naturelle.
Her work is part of an approach that is both naturalist and imaginative, where natural sciences meet fictional, sometimes futuristic, universes. Through her artistic universe, La Planète Sauvage, she explores our relationship with living things, identities, and representations of the world, with the desire to invite us to imagine other realities.
Each work opens a window to a different world, while remaining anchored in the one around us. Her technique combines the precision of scientific drawing with the freedom of imaginative drawing, in lush and very colorful compositions.
She uses color as a true language, which she works with pigments, markers, or on a graphics tablet. Although her approach remains instinctive, every detail, every shape, and every composition contributes to the construction of a narrative. Her works invite as much contemplation as discovery, reflection, and questioning.
Her ambition: to take us on journeys into imaginary worlds to better question our own. The protection of living things, human rights, equality, and diversity nourish her creations, with the conviction: everyone has the right to imagine something else.
Her work is presented in different exhibitions, notably at the Salon des Beaux-Arts at the Carrousel du Louvre, where she received the Silver Medal from the external Jury of the Naturalist Section of the Salon des Beaux-Arts 2020 for her work MENACÉE N°01. Awarded by Deyrolle in June 2021, this distinction praises her work at the crossroads of art and science, which Michel King, then president of the National Society of Fine Arts, described as a "defense of life." It is also exhibited at the Orangerie du Sénat and, in 2026, at Paris, Place de la Madeleine, under the curation of Emmanuelle Callerame (The New Curator).
In parallel with her artistic practice, she collaborates with media, publishing houses, and scientific institutions. She notably creates illustrations for the international scientific journals The Lancet eBioMedicine and eClinicalMedicine, as well as for publications such as L'Éléphant and Point de Côté. Her background also includes productions of animated films, documentaries, and artistic direction projects.
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