Journal herbier de Bordeaux, 1973
Anne et Patrick Poirier  

Painting : collage · 119 x 78.5 x 0.5 cm 46.9 x 30.9 x 0.2 inch · Ready to hang

CHF 12,824 12 824 CHF

One of the last works available by this artist

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Shipped from: Italy

Delivery to: Switzerland , CHF 105

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

119 x 78.5 x 0.5 cm 46.9 x 30.9 x 0.2 inch Height x Width x Depth

Artwork dimensions including frame

121 x 81 x 15 cm 47.6 x 31.9 x 5.9 inch

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Credentials

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Description
Journal herbier de Bordeaux, Mardi 12 juin 1973.
Collage of 25 sheets on paper and canvas. On the back: label of Galerie Sonnabend, Geneva. Stamps and label of Galleriaforma, Genoa. Label of the Venice Biennal '80.
Provenance: Private Collection, Genoa.
Exhibitions: Biennale di Venezia 1980 Passions de France, curated by E. Pedrini, Centre Culturel Francais Torino and Gallerie de France Rome, June 1999.
Bibiography: catalogo Passions de France curated by E. Pedrini, published by Centre Culturel Français de Turin 1999.

Text

Beige

Anne et Patrick Poirier, Journal herbier de Bordeaux
France  • 1942

Presentation

Anne Poirier, born in 1942 and Patrick Poirier, born in 1942. They live and work between Paris and the Provence (South of France).

After their studies at École nationale supérieure des Arts décoratifs in Paris and numerous trips to the Far East, the Middle East and the United States, Anne and Patrick Poirier spent three years at the Villa Medici in Rome. From the beginning of their stay, they decided to work together. Abandoning their egos, they bring together their ideas, their sensitivities, and their works signed by both of them become the fruit of this collaboration.

They are no longer lonely artists working in their studios in search of a personal language, they are travelers, explorers and surveyors of sites, of civilizations, religions and different cultures. Refusing the conventional roles of "sculptor" and "painter", they become "archaeologists" and "architects", and these roles are interchangeable according to the circumstances.

Their practice is no longer a matter of formal research but, through an artistic approach of the humanities, it becomes a trip in the MEMORY that they perceive as a fundamental value, which is the basis of the intelligence between the beings and between the societies. Children of the war, they denounce the fragility of civilizations and cultures, and their aesthetics is often that of the FRAGMENT of RUIN, of CATASTROPHE. Multidisciplinary artists, they do are interested in any form of artistic expression.

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