Sin título III, 2007
Photography : pigment ink · 40.2 x 30 cm 15.8 x 11.8 inch
€1,200
1 200 €
Delivered in time for Christmas
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Shipped from: Spain
Delivery to: Germany Free delivery
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 50 copies
4 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
pigment ink on paper
Dimensions ( cm • inch )
40.2 x 30 cm 15.8 x 11.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Untitled III (2007) is a pigment print by Chema Madoz (Madrid, 1958), National Photography Prize of Spain in 2000 and one of the most influential photographers working today. Madoz's practice consists of constructing small sculptural situations with ordinary objects, which he then photographs in black and white with a classical clarity that transforms the paradox into a poetic image. His work has been compared to visual haiku: a single object, a subtle alteration, and a meaning that unfolds slowly in the viewer's mind. This print, produced with archival pigment inks on a 40.2 x 30 cm sheet, forms a pair with Untitled II of the same year, also offered by the gallery, and shares its tonal richness and immaculate finish. Published by Polígrafa on cotton paper (image 31.7 x 25 cm), the work is issued in an edition of 50, hand-signed and numbered by the artist. Madoz's photographs are held in the Museo Reina Sofía, the Centre Pompidou and the Museum of Fine Arts, Houston, among many other collections.
Presentation
Born in Madrid in 1958, Chema Madoz is one of the most distinctive Spanish photographers of his generation. He discovered photography as a self-taught artist in the early 1980s, during the creative surge of the Movida madrileña, the vibrant cultural movement that followed the end of Franco's regime. Early in his career, he developed a unique style that blends minimalism, surrealism, and poetic visual language.
Chema Madoz's work centers around a deeply conceptual approach to everyday objects. In his studio, he collects items found in flea markets, secondhand shops, or even discarded on the street—ordinary objects like books, ladders, watches, or shoes. Through careful transformation and unexpected combinations, he removes them from their utilitarian context to reveal hidden meanings and new narratives. His visual world evokes the dreamlike sensibility of Magritte and the playfulness of a modern-day cabinet of curiosities.
For over three decades, his black-and-white silver gelatin prints have composed a poetic inventory of reality, reimagined through a lens of illusion and metaphor. Each photograph becomes a visual poem, inviting viewers to question their perceptions and rediscover the familiar with fresh eyes.
Celebrated with numerous awards and featured in major international institutions, Chema Madoz has established himself as a leading figure in contemporary photography, known for his formal precision and symbolic depth.
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