Salad of America (blue) – HPM I, 2023
Print : engraving · 45 x 93 cm 17.7 x 36.6 inch
€1,015
1 015 €
Delivered in time for Christmas
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 90
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from JRP|Editions
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from JRP|Editions
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
45 x 93 cm 17.7 x 36.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024
Description
This print derives from a series developed in 2022, in which Colmegna dived into the story of the Mansonite (the young girls who were manipulated by Charles Manson for his murders). The image is taken from an archival press library. Her goal isn't police work per se, but to reveal how details at the margins of crime scenes become powerfully allusive and lend themselves to a narrative. Examining the visual cues in the images, trying to interpret the signs in their clothes, their body language, the époque; she doodles on top of the prints with ice creamy agenda style. So, with some pleasure-seeking Colmegna asks herself: What – not who- are these girls who search the Los Angeles bins.
No external sign betrays the horror of their bloody acts, made almost like in a tantrum of a sadistic children's game. In this new complexity of the process; the alchemy through which the Manson girls metamorphose into these characters are printed in pink and turquoise silkscreens referencing pop and surf and culminates with the attempt to change those terrifying powers for simply charming ones; as if they were barbie dolls.
Presentation
Victoria Colmegna (Argentina, 1986) lives and works in Buenos Aires.
Filmmaking at FUC, Buenos Aires / Fine Arts Meisterschule Städelschule, Frankfurt.
In her work V.C engages with the styles and dynamics that dominate closed systems like cliques, schools or parties, self-critically reflecting the making of the amateur artist's oeuvre as a self abusive practice.
The work is always over-curated, populous, somewhat apocryphal, transpersonal as in things done by many. By mixing, committing, hosting, inviting, asking and begging different things from different people, VC tries to find the cipher for selfhood's unresolved dilemma.
Her work lies somewhere between fashion, fan-item and memorabilia. Frenetic border hopping between industries.
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