Binary Landscapes, 2025
Sculpture : ceramic · 40 x 40 x 20 cm 15.7 x 15.7 x 7.9 inch
CHF 2,119
2 119 CHF
Delivered in time for Christmas
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 108
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
ceramic , without pedestal
Dimensions ( cm • inch )
40 x 40 x 20 cm 15.7 x 15.7 x 7.9 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
In his new series "Binary Landscape", Christophe describes a world in becoming, both digital and vegetal, built from two simple geometric shapes: the line and the circle, in reference to the binary language.
The rigidity, repetition, and graphic simplicity borrow the visual codes of monoculture, industry, and nuclear energy.
Some works are enriched by what he calls "floral decomposition".
This takes the form of color gradients evoking a specific vegetal world.
This process echoes the scientific work of analyzing and classifying the molecular composition of plants.
Presentation
About Christophe Rollin
Born in 1973, Christophe Rollin lives and works near Amiens, in Hauts de France. After studying civil engineering, and 25 years spent in the interior decoration company he created himself, he returned to sculpture in 2021.
The hidden side of things.
Through his work, the artist seeks to portray anthropocentrism. “Man often reduces what surrounds him to a potential resource over which he has all the rights. Science and technological progress have brought a lot to our societies, but have also led us to no longer accept life as it is. Human beings want to control everything: matter, living things, aging, time, their image." Is there a point of balance between fatalism and free will?
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