Colors Painting for Sale
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Le salon orange
David Jamin
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
€3,700 €3,515
Tactile memory #138
Natasha Zupan
Painting - 69.9 x 59.9 x 7.6 cm Painting - 27.5 x 23.6 x 3 inch
€6,566
Merge lane
Kathryn Anne Cleland
Painting - 40.64 x 40.64 x 1.5 cm Painting - 16 x 16 x 0.6 inch
€1,370
Les chagrin des Dieux - la fresque
Julie Ruelle
Painting - 100 x 195 x 3 cm Painting - 39.4 x 76.8 x 1.2 inch
€8,000
A large bouquet of roses.
Iryna Kastsova
Painting - 100 x 120 x 2 cm Painting - 39.4 x 47.2 x 0.8 inch
€3,500
Bright bouquet of flowers 2.
Iryna Kastsova
Painting - 100 x 120 x 2 cm Painting - 39.4 x 47.2 x 0.8 inch
€3,500
A Mysterious Horse - A tribute to the artist Uri Reisman
Menashe Kadishman
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
€3,573
Marine abstraite 2022-29
Fred Boutet
Painting - 81 x 116 x 2 cm Painting - 31.9 x 45.7 x 0.8 inch
€1,000
Pennyfield Close
George Pinder
Painting - 100 x 80 x 4.8 cm Painting - 39.4 x 31.5 x 1.9 inch
€4,090
Le bassin exotique
Agnès Tiollier
Painting - 80 x 80 x 2.5 cm Painting - 31.5 x 31.5 x 1 inch
€1,800
Don't pay attention
Emily Starck
Painting - 109.2 x 78.7 x 2.5 cm Painting - 43 x 31 x 1 inch
€1,844
Snoopy (plan du métro de Paris)
Fat
Painting - 37 x 65 x 0.2 cm Painting - 14.6 x 25.6 x 0.1 inch
€1,800
Schtroumpfs (plan du métro de Paris)
Fat
Painting - 41 x 80 x 0.2 cm Painting - 16.1 x 31.5 x 0.1 inch
€2,000
Idéfix (plan du métro de Paris)
Fat
Painting - 36 x 36 x 0.2 cm Painting - 14.2 x 14.2 x 0.1 inch
€1,250 €1,125
Picsou (plan du métro de Paris)
Fat
Painting - 42 x 69 x 0.2 cm Painting - 16.5 x 27.2 x 0.1 inch
€2,000
Le grand voyage
Eric Munsch
Painting - 100 x 100 x 2 cm Painting - 39.4 x 39.4 x 0.8 inch
€2,600 €2,340
Five Flowers and a Chameleon
Kat Zhivetin
Painting - 95 x 95 x 0.2 cm Painting - 37.4 x 37.4 x 0.1 inch
€1,323
Nocturne(homage to Chopin)-CCXLIII
Stanislav Bojankov
Painting - 35 x 50 x 0.1 cm Painting - 13.8 x 19.7 x 0 inch
€190 €171
Abstract n°4-14
Harry James Moody
Painting - 76.2 x 61 x 3.8 cm Painting - 30 x 24 x 1.5 inch
€1,200
Abstract n°310-5
Harry James Moody
Painting - 61 x 50.8 x 3.8 cm Painting - 24 x 20 x 1.5 inch
€1,200
Jolies Dames
Martine Fauve Dechavanne
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
€1,900
Urban cieli di polvere e ferro
Alessandra Bisi
Painting - 150 x 100 x 0.3 cm Painting - 59.1 x 39.4 x 0.1 inch
€2,300
Urban cieli d'Indocina oro nero
Alessandra Bisi
Painting - 100 x 150 x 0.4 cm Painting - 39.4 x 59.1 x 0.2 inch
€2,300
Above the clouds
Susana Lopes Tavares
Painting - 80 x 80 x 1.8 cm Painting - 31.5 x 31.5 x 0.7 inch
€2,250
Sans titre - TAF668757
Yann Guinchan
Painting - 97 x 130 x 2 cm Painting - 38.2 x 51.2 x 0.8 inch
€850
Floating Colors, 10
Soumisha Dauthel
Painting - 70 x 50 x 1 cm Painting - 27.6 x 19.7 x 0.4 inch
€2,400
Shaken, not stirred
Mikhail Baranovskiy
Painting - 100 x 70 x 3 cm Painting - 39.4 x 27.6 x 1.2 inch
€2,000
La vie en couleur II
Maude Ovize
Painting - 81 x 116 x 3 cm Painting - 31.9 x 45.7 x 1.2 inch
€1,980
Reflecting pool (Etude)
Maude Ovize
Painting - 50 x 40 x 0.1 cm Painting - 19.7 x 15.7 x 0 inch
€800
Les messes basses
Geraldine Bandiziol
Painting - 90 x 30 x 4 cm Painting - 35.4 x 11.8 x 1.6 inch
€675
Discover the styles & movements
Discover the selection of our experts
Abstract Energy (Energie Abstraite)
Bruno Cantais
Painting - 100 x 81 x 2.5 cm Painting - 39.4 x 31.9 x 1 inch
€1,495
Let us hold each other
Barbara Piller
Painting - 80 x 80 x 3 cm Painting - 31.5 x 31.5 x 1.2 inch
€1,000
La vie en effervescence
Âme Sauvage
Painting - 81 x 100 x 2.4 cm Painting - 31.9 x 39.4 x 0.9 inch
€1,050
Colors Painting for Sale
The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.
Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.
In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.
More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.
It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."
Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?