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The Cramps Lead singer Lux Interior (III)
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
€2,902
Member of Human League, Susan Sulley - Boston, MA 1980 (II)
Michael Grecco
Photography - 40.6 x 50.8 x 5.1 cm Photography - 16 x 20 x 2 inch
€2,902
Member of Philip Oakey - Boston, MA 1980 (III)
Michael Grecco
Photography - 50.8 x 40.6 x 5.1 cm Photography - 20 x 16 x 2 inch
€2,902
The Cramps lead singer Lux Interior
Michael Grecco
Photography - 40.6 x 50.8 x 5.1 cm Photography - 16 x 20 x 2 inch
€2,902
Two Glasses of Champagne (S)
Tyler Shields
Photography - 45.7 x 45.7 cm Photography - 18 x 18 inch
€2,418
London, lithograpie originale
Tony Soulié
Print - 90 x 76 x 0.5 cm Print - 35.4 x 29.9 x 0.2 inch
€900
Invader Prints On Paper, catalogue raisonné 1st edition
Invader
Design - 27 x 20 x 4 cm Design - 10.6 x 7.9 x 1.6 inch
€149
Self-discovery
Mayra AleJandra Lifischtz
Painting - 70.1 x 50 x 2 cm Painting - 27.6 x 19.7 x 0.8 inch
€1,871
The golden butterfly
Alla Grande
Sculpture - 100 x 100 x 5 cm Sculpture - 39.4 x 39.4 x 2 inch
€2,300
The pearl butterfly
Alla Grande
Sculpture - 100 x 100 x 5 cm Sculpture - 39.4 x 39.4 x 2 inch
€2,300
Dancing in Hues
Daniela Pasqualini
Painting - 91.4 x 121.9 x 3.8 cm Painting - 36 x 48 x 1.5 inch
€4,933
Land Before Time 1
Laura Spring
Painting - 91.4 x 91.4 x 3.8 cm Painting - 36 x 36 x 1.5 inch
€1,016
Red White and Blue (L)
Tyler Shields
Photography - 114.3 x 114.3 cm Photography - 45 x 45 inch
€9,672
The Bunny and the Man (XXL)
Tyler Shields
Photography - 160 x 213.4 cm Photography - 63 x 84 inch
€48,359
The Bunny and the Man (XL)
Tyler Shields
Photography - 121.9 x 182.9 cm Photography - 48 x 72 inch
€24,179
The Bunny and the Man (L)
Tyler Shields
Photography - 101.6 x 152.4 cm Photography - 40 x 60 inch
€14,508
The Bunny and the Man (M)
Tyler Shields
Photography - 76.2 x 101.6 cm Photography - 30 x 40 inch
€9,672
The Anonymity of Shape (XXL)
Tyler Shields
Photography - 177.8 x 177.8 cm Photography - 70 x 70 inch
€48,359
The Anonymity of Shape (XL)
Tyler Shields
Photography - 152.4 x 152.4 cm Photography - 60 x 60 inch
€19,343
The Anonymity of Shape (L)
Tyler Shields
Photography - 114.3 x 114.3 cm Photography - 45 x 45 inch
€9,672
Soldier Silhouette (XXL)
Tyler Shields
Photography - 160 x 213.4 cm Photography - 63 x 84 inch
€48,359
Soldier Silhouette (XL)
Tyler Shields
Photography - 137.2 x 182.9 cm Photography - 54 x 72 inch
€24,179
Soldier Silhouette (M)
Tyler Shields
Photography - 114.3 x 152.4 cm Photography - 45 x 60 inch
€14,508
Match Silhouette (XXL)
Tyler Shields
Photography - 177.8 x 177.8 cm Photography - 70 x 70 inch
€48,359
Match Silhouette (XL)
Tyler Shields
Photography - 152.4 x 152.4 cm Photography - 60 x 60 inch
€19,343
Hat Tu Silhouette (XXL)
Tyler Shields
Photography - 160 x 213.4 cm Photography - 63 x 84 inch
€48,359
Gunslinger Silhouette
Tyler Shields
Photography - 177.8 x 177.8 cm Photography - 70 x 70 inch
€48,359
Gunslinger Silhouette
Tyler Shields
Photography - 152.4 x 152.4 cm Photography - 60 x 60 inch
€19,343
Gunslinger Silhouette
Tyler Shields
Photography - 114.3 x 114.3 cm Photography - 45 x 45 inch
€9,672
8th Position Silhouette
Tyler Shields
Photography - 45.7 x 45.7 cm Photography - 18 x 18 inch
€2,418
Portrait of Mercy
Sesse Elangwe Ngeseli
Painting - 91.4 x 91.4 x 3 cm Painting - 36 x 36 x 1.2 inch
€5,300
C'est une histoire de temps
Ben
Fine Art Drawings - 23.5 x 32 cm Fine Art Drawings - 9.3 x 12.6 inch
€4,000
A dream of imperfections / Totem 2, White
Guillaume Nicolaou
Painting - 160 x 110 x 5 cm Painting - 63 x 43.3 x 2 inch
€2,100
Untitled. From the Cartographies series
Ana Seggiaro
Painting - 87.9 x 129.8 x 0.3 cm Painting - 34.6 x 51.1 x 0.1 inch
€3,675
Spring walk
Arevik Gasparyan
Painting - 70 x 60 x 2 cm Painting - 27.6 x 23.6 x 0.8 inch
€1,161 €987
Panthère résine blanche 110 cm
Richard Orlinski
Sculpture - 55 x 110 x 22 cm Sculpture - 21.7 x 43.3 x 8.7 inch
€19,500
Cascades
Erte Tirtoff
Fine Art Drawings - 19.5 x 13.7 x 1 cm Fine Art Drawings - 7.7 x 5.4 x 0.4 inch
€2,000
Progreso
Reyner
Fine Art Drawings - 29 x 19 x 0.03 cm Fine Art Drawings - 11.4 x 7.5 x 0 inch
€1,450
Girasoles
Reyner
Fine Art Drawings - 29 x 19 x 0.03 cm Fine Art Drawings - 11.4 x 7.5 x 0 inch
€1,000
Le Palais - Série village et port de Belle-île-en-mer
Yves Guillard
Painting - 100 x 81 x 2 cm Painting - 39.4 x 31.9 x 0.8 inch
€1,875
Fuck Mickey (Ninu&Vincent Bardou)
Ninu
Sculpture - 26 x 30 x 16 cm Sculpture - 10.2 x 11.8 x 6.3 inch
€3,600
Catalyst - Disjointed reality #12
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
€1,750
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!