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Georges Braque

Georges Braque

France • Born in: 1882

​Master Artists

Cubism

Fauvism

Sculptors Artists

Painters

Printmakers Artists

Draughtsmen Artists

If there is a painter who best represents the “honor of France," as Malraux said, it must be Georges Braque. A friend and colleague to Picasso, Derain, Apollinaire, Gris, Laurens, Léger, Satie, Reverdy, de Staël and other well-known artists of that era, he remained close to the many cultural revolutions that shook the century. Born to a family of decorative painters, Georges Braque's destiny was to follow in their footsteps as an artisan. However, in 1905, he suddenly gave up his studies and took up a new path.

Braque discovered fauvism in 1905 with the works of Matisse and Derain. Though the fauvist period only lasted a year and half, Braque would find in this movement a way of escaping academic ideas and exploring new possibilities with color. At the 1907 Salon des Indépendants in the South, Braque presented six fauvist paintings. It was at this exhibition that Braque would meet Daniel Henry Kahnweiler and Wilhelm Uhde, both of whom combined to purchase all the painting Braque had on show. The first would become his first dealer, acquiring six paintings, while the second would become his first collector, purchasing five paintings.

The following year, at the Salon d'Automne, only one of his seven paintings was accepted. That same 1907 exhibition featured a retrospective on Cézanne. Deeply inspired by the late works of the Master of D'Aix, Braque made another pilgrimage to l'Estaque in order to better study his theories and ideas. Before this trip, Braque was working as a fauvist. After it, he moved on to what would become his great work of cubism.

The origins of Cubism, a movement that would revolutionize the visual rhythm of painting and take it on an unexpected trajectory, remain unclear. It is not easy to define the paternity and the inspiration for the first cubist works, but history remembers it as a combination of efforts from these two diametric opposites, two artistic geniuses. On one side was Pablo Picasso: an artist gifted with extraordinary virtuosity, a visionary whose life was eventful and whose personality was lively and exuberant. On the other hand was Georges Braque: an artist whose brilliance was in innovation and ideas. He was an intellectual, a modest man, and someone who preferred to live quietly rather than seek celebrity.

Braque referred to their working relationship, at this time, as akin to climbing partners. It would go on to define a period in art history that was only to end in 1914 when Braque was called up to fight in the First World War. He returned in 1915, with a severe head injury, and was convalescent till 1917. From that point onwards, even if he continued to work on Cubism till 1922, Georges Braque was similarly developing a new approach to painting, one which would function thematically.

The thematic period became the third period in his work. Georges Braque devoted himself to the analysis of different subjects, working to explore all possibilities in their composition in order to finally lay bare the object. With these recurrent themes, Braque was looking to perfect his pictorial ideas and explore the extreme limit of an object's depiction. Some of the great works of his career emerged during this period: billiards, for which he would be awarded a prize at the Venice Biennale; the birds; and the Norman fishing boats, a landscape he knew intimately after establishing a studio at Varengeville-sur-Mer.

At the twilight of his life, Georges Braque set to work on his series Metamorphoses. He first made gouache sketches of roughly a hundred of his major works. Then, taking these two-dimensional works, he transformed them three-dimensionally, not virtually as he had done with analytic cubism, but directly and physically into sculpture. All of the works have names derived from Greek mythology, which Georges Braque dearly loved. His golden sculptures do seem like they have been made in an ancient goldsmith's workshop. He had already devoted a series of works to Hesiod's Theogony and now he chose the name Metamorphoses in direct reference to Ovid's work.

Braque collaborated with a sculptor who worked mainly with precious stones, Heger de Loewenfeld. Together, at the request of André Malraux, they presented this new work at the Palais du Louvre. Braque had already been the first living painter to show work at the Louvre; he painted the ceiling of the Salle Henri II in 1953. The exhibition took place from March to May 1963. Three months later, Georges Braque died. Malraux led a national mourning and himself delivered the eulogy standing before the Louvre in front of the Saint-Germain-l'Auxerrois church.

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Georges Braque, Tête de Cheval, Sculpture

Georges Braque

Tête de Cheval, 1970 17 x 15 x 7 cm Sculpture

€19,000

Georges Braque, Oiseau multicolore, Print

Georges Braque

Oiseau multicolore, 1950 44 x 63 cm Print

€7,000

Our recommendations Georges Braque, Les Etoiles, Print

Georges Braque

Les Etoiles, 1959 48 x 36 x 0.1 cm Print

€920

Our recommendations Georges Braque, Hermès, Sculpture

Georges Braque

Hermès, 2019 175 x 80 x 24 cm Sculpture

€220,000

Georges Braque, Fleurs, Print

Georges Braque

Fleurs, 1960 47 x 36 cm Print

€3,000 €2,700

Georges Braque, Août, Print

Georges Braque

Août, 1958 37 x 47.5 cm Print

€2,400

Georges Braque, Nature morte, Print

Georges Braque

Nature morte, 1955 49 x 64 cm Print

€2,500

Georges Braque, Ciel Gris II, Print

Georges Braque

Ciel Gris II, 1959 48 x 33 cm Print

€2,500

Georges Braque, Ciel Gris I, Print

Georges Braque

Ciel Gris I, 1959 48 x 32 cm Print

€1,800

Georges Braque, Vase de fleurs jaunes, Print

Georges Braque

Vase de fleurs jaunes, 1960 65.5 x 50.5 cm Print

€3,000

Georges Braque, La liberté des mers I, Print

Georges Braque

La liberté des mers I, 1959 56.5 x 38.2 cm Print

€3,200

Georges Braque, Marine Noire, Print

Georges Braque

Marine Noire, 1956 65 x 90 x 0.1 cm Print

€3,400

Georges Braque, Marine Noire, Print

Georges Braque

Marine Noire, 1956 64 x 89.5 x 0.1 cm Print

€3,400

Georges Braque, La barque sur la grève, Print

Georges Braque

La barque sur la grève, 1960 41 x 89 x 0.1 cm Print

€3,100

Georges Braque, Le Nid Vert, Print

Georges Braque

Le Nid Vert, 1950 38 x 50 cm Print

€3,800

Georges Braque, La Forêt, Print

Georges Braque

La Forêt, 1963 38 x 28 cm Print

€3,799

Georges Braque, Migration, Print

Georges Braque

Migration, 1963 38 x 28 cm Print

€3,800

Georges Braque, Les Citrons, Print

Georges Braque

Les Citrons, 1954 37 x 50 x 0.2 cm Print

Sold

Georges Braque, Zétès et Calaïs, Sculpture

Georges Braque

Zétès et Calaïs, 1963 115 x 82 x 3 cm Sculpture

Sold

Georges Braque, Aout (L’Oiseau), Print

Georges Braque

Aout (L’Oiseau), 1958 38 x 48 x 0.2 cm Print

Sold

Georges Braque, Aout (L’Oiseau), Print

Georges Braque

Aout (L’Oiseau), 1958 38 x 48 x 0.1 cm Print

Sold

Georges Braque, Soleil et Lune I, Print

Georges Braque

Soleil et Lune I, 1959 48.5 x 32.5 cm Print

Sold

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Who is the artist?

If there is a painter who best represents the “honor of France," as Malraux said, it must be Georges Braque. A friend and colleague to Picasso, Derain, Apollinaire, Gris, Laurens, Léger, Satie, Reverdy, de Staël and other well-known artists of that era, he remained close to the many cultural revolutions that shook the century. Born to a family of decorative painters, Georges Braque's destiny was to follow in their footsteps as an artisan. However, in 1905, he suddenly gave up his studies and took up a new path.

Braque discovered fauvism in 1905 with the works of Matisse and Derain. Though the fauvist period only lasted a year and half, Braque would find in this movement a way of escaping academic ideas and exploring new possibilities with color. At the 1907 Salon des Indépendants in the South, Braque presented six fauvist paintings. It was at this exhibition that Braque would meet Daniel Henry Kahnweiler and Wilhelm Uhde, both of whom combined to purchase all the painting Braque had on show. The first would become his first dealer, acquiring six paintings, while the second would become his first collector, purchasing five paintings.

The following year, at the Salon d'Automne, only one of his seven paintings was accepted. That same 1907 exhibition featured a retrospective on Cézanne. Deeply inspired by the late works of the Master of D'Aix, Braque made another pilgrimage to l'Estaque in order to better study his theories and ideas. Before this trip, Braque was working as a fauvist. After it, he moved on to what would become his great work of cubism.

The origins of Cubism, a movement that would revolutionize the visual rhythm of painting and take it on an unexpected trajectory, remain unclear. It is not easy to define the paternity and the inspiration for the first cubist works, but history remembers it as a combination of efforts from these two diametric opposites, two artistic geniuses. On one side was Pablo Picasso: an artist gifted with extraordinary virtuosity, a visionary whose life was eventful and whose personality was lively and exuberant. On the other hand was Georges Braque: an artist whose brilliance was in innovation and ideas. He was an intellectual, a modest man, and someone who preferred to live quietly rather than seek celebrity.

Braque referred to their working relationship, at this time, as akin to climbing partners. It would go on to define a period in art history that was only to end in 1914 when Braque was called up to fight in the First World War. He returned in 1915, with a severe head injury, and was convalescent till 1917. From that point onwards, even if he continued to work on Cubism till 1922, Georges Braque was similarly developing a new approach to painting, one which would function thematically.

The thematic period became the third period in his work. Georges Braque devoted himself to the analysis of different subjects, working to explore all possibilities in their composition in order to finally lay bare the object. With these recurrent themes, Braque was looking to perfect his pictorial ideas and explore the extreme limit of an object's depiction. Some of the great works of his career emerged during this period: billiards, for which he would be awarded a prize at the Venice Biennale; the birds; and the Norman fishing boats, a landscape he knew intimately after establishing a studio at Varengeville-sur-Mer.

At the twilight of his life, Georges Braque set to work on his series Metamorphoses. He first made gouache sketches of roughly a hundred of his major works. Then, taking these two-dimensional works, he transformed them three-dimensionally, not virtually as he had done with analytic cubism, but directly and physically into sculpture. All of the works have names derived from Greek mythology, which Georges Braque dearly loved. His golden sculptures do seem like they have been made in an ancient goldsmith's workshop. He had already devoted a series of works to Hesiod's Theogony and now he chose the name Metamorphoses in direct reference to Ovid's work.

Braque collaborated with a sculptor who worked mainly with precious stones, Heger de Loewenfeld. Together, at the request of André Malraux, they presented this new work at the Palais du Louvre. Braque had already been the first living painter to show work at the Louvre; he painted the ceiling of the Salle Henri II in 1953. The exhibition took place from March to May 1963. Three months later, Georges Braque died. Malraux led a national mourning and himself delivered the eulogy standing before the Louvre in front of the Saint-Germain-l'Auxerrois church.

What are his 3 main works?

What is Georges Braque’s artistic movement?

The artistic movements of the artists are: Cubism, Fauvism

When was Georges Braque born?

The year of birth of the artist is: 1882