Absurda instalación,
2020
by Adriana Carambia
Fine Art Drawings : acrylic, chalk, ink, charcoal, lead mine 190 x 200 x 1 cm 74.8 x 78.7 x 0.4 inch
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About the artwork
Unique work
Hand-signed by artist
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Fine Art Drawings: acrylic, chalk, ink, charcoal, lead mine
190 x 200 x 1 cm 74.8 x 78.7 x 0.4 inch Height x Width x Depth
Not framed
Artwork sold in perfect condition
Artwork location: Argentina
The interpretive delirium begins when the man, unnoticed, is surprised by a sudden fear in the jungle of signs.
- André Breton (1937 Mad Love)
ABSURD INSTALLATION
(an archeology of thought)
It is presented as a collage, whose absurd play of fragmented images may or may not reveal some possible metaphors. Absurd as illogical or opposed to the concordance between statement and enunciation.
I think of drawing more as an instrument of thought than as a procedure for aesthetic expression.
Paper is an inscription surface where I draw gestures, ideas, thoughts, which become writing.
Annotations that host landscapes, imaginary spaces, stories, nature.
They carry history, with overlapping, affective memories.
Images-words appear in the drawing, metonymically. They are like "bubbles of thought."
It requires a time of contemplation, to be able to build your own meaning, to stop to perceive what is there, what is not explained, what does not give meaning or meaning.
The object that stands in the way, concrete, enigmatic and unexpected is a resource to interrogate, to interrupt the metonymy. A nonsense that defies its relevance.
The dimension of the work, the object that closes it, the multiplicity of images that inhabit it gives rise to an active spectator. It invites movement and the search for different points of view.
The "text" will be initialed by multiple, own, foreign, unrecognizable, current, past writings. These prints resist any erasure. They are perhaps concatenated to an undeciphered script.
But there is a place where all that multiplicity is collected.
- Adriana Carambia
Read more
- André Breton (1937 Mad Love)
ABSURD INSTALLATION
(an archeology of thought)
It is presented as a collage, whose absurd play of fragmented images may or may not reveal some possible metaphors. Absurd as illogical or opposed to the concordance between statement and enunciation.
I think of drawing more as an instrument of thought than as a procedure for aesthetic expression.
Paper is an inscription surface where I draw gestures, ideas, thoughts, which become writing.
Annotations that host landscapes, imaginary spaces, stories, nature.
They carry history, with overlapping, affective memories.
Images-words appear in the drawing, metonymically. They are like "bubbles of thought."
It requires a time of contemplation, to be able to build your own meaning, to stop to perceive what is there, what is not explained, what does not give meaning or meaning.
The object that stands in the way, concrete, enigmatic and unexpected is a resource to interrogate, to interrupt the metonymy. A nonsense that defies its relevance.
The dimension of the work, the object that closes it, the multiplicity of images that inhabit it gives rise to an active spectator. It invites movement and the search for different points of view.
The "text" will be initialed by multiple, own, foreign, unrecognizable, current, past writings. These prints resist any erasure. They are perhaps concatenated to an undeciphered script.
But there is a place where all that multiplicity is collected.
- Adriana Carambia
About the seller
Professional art gallery • Argentina
Artsper seller since 2019
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Discover more by the artist
De la série Los escritos
Adriana Carambia
Painting - 140 x 100 x 1 cm Painting - 55.1 x 39.4 x 0.4 inch
$2,766
“The concepts of subject, body, fragmentation and the connection with the world that they inhabit" are questions which are an integral part of Adriana's work. She builds bodies, stories. Appealing to the fragility of the material emphasized that primary human fragility.
She makes it possible to appear their scars and connections. The roughness of a wall acts as an initial act of a generation of drawings, signs, histories. She works with cotton paper, very thin, fragile and resistant at the same time; as metaphors of the human being.
Drawing gestures, ideas, thoughts. Metonymic stories that host landscapes, nature, locations. It is the formation of a landmark between forgetfulness and memory.
Shemake history in a successive series of origins and reconstructions. Drawing absurd hoarding desire. In a journey, search, it is an attempt of writing that materializes memory, remembrance and word.
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Adriana Carambia
Absurda instalación, 2020
Fine Art Drawings
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