A Gap in the Clouds,
2023
Nick Vivian
Painting : oil
100 x 100 x 10 cm 39.4 x 39.4 x 3.9 inch
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
100 x 100 x 10 cm 39.4 x 39.4 x 3.9 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: United Kingdom
Colour is at the core of Nick Vivian’s creative process. He confesses to being obsessed with colour and the influence it can have over our body and soul. This influence is evident throughout the exhibition as the works connect with the viewer in an almost magical manner that somehow soothes and exhilarates at the same time. Nick uses classic techniques to achieve broken surfaces giving his work its distinctive style. With each of these paintings opaque impasto oil is applied directly to the canvas using a knife to create a visible texture. The high-stakes technique of applying ‘wet on wet’ is laden with pressure. As the paint begins to dry your time is up, meaning that just like the subject he paints, Nick must create maximum impact in a short space of time. Since graduating from art school Nick Vivian has only ever known life as a professional artist and has attracted a loyal following of collectors, including royal households and celebrities, along the way. His work has spanned multiple disciplines from mural painting in the palaces of the Middle East to creating luxury interiors in the form of hand painted screens and wall paintings. Now he spends each day painting in his London studio selecting as his subjects the fundamental elements for our existence on this small planet.
About the seller
Professional art gallery • United Kingdom
Artsper seller since 2017
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Nick Vivian
Painting - 100 x 80 x 10 cm Painting - 39.4 x 31.5 x 3.9 inch
€2,598
Presentation
After leaving Art School, Nick has pursued his career as a professional artist for over 30 years and today whilst having enjoyed a wide range of disciplines, including large scale mural paintings in the palaces of the Middle East, he now concentrates on canvas painting and especially the tree series. He is particularly inspired by the Brecon Beacons, Wales.
His work is about paint and surface, warmth and light but mostly about a sense of being.
He says of his work "Being at one with the natural world, I try to find colours that will fit my sensation. I am obsessed with colours and the physicality of paint. My subjects are simple and yet are the life forces for our existence on this little planet. Sunlight, precipitation and vegetation."
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