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Portam II,
2019
Pawel Wasowski
Painting : acrylic
60 x 50 x 2.5 cm 23.6 x 19.7 x 1 inch
€2,400
2 400 €
Secure delivery : Australia
+ €190
Shipping : One to two weeks
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
60 x 50 x 2.5 cm 23.6 x 19.7 x 1 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Romania
This artwork is a striking example of optical art, featuring a mesmerizing play of geometric precision and vibrant color transitions. The composition is dominated by an intricate grid, with squares systematically reducing in size from the edges to the center, creating a compelling illusion of depth and movement. A gradient of purples and pinks flows seamlessly across the canvas, enhancing the three-dimensional effect. The central focus is a radiant column of light hues, appearing to emerge from the depths of the grid, drawing the viewer's gaze inward. The meticulous alignment and color gradation demonstrate the artist's mastery over visual perception and spatial dynamics, making this piece a captivating study of contrast, symmetry, and visual allure. The use of warm tones juxtaposed against cooler, darker shades creates a dynamic tension, inviting prolonged contemplation and engagement.
The image of the artwork was published in Paweł Wąsowski. Temples of this time, IAGA Contemporary Art, Cluj-Napoca, 2021, pag. 47.
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Presentation
Paweł Wąsowski was born in 1974, Miosk Mazowiecki, Poland. He is an architect, painter, university lecturer, art collector associated with Minsk Mazowiecki. In 1999 the artist got his diploma and in 2008, his doctoral dissertation at the Faculty of Architecture at the University of Technology in Warsaw, Poland. He is engaged in painting, sculpture, photography and architecture history. Interested in the impact of architecture on painting and vice versa. In his work, he examines optical illusions, the impact of color on the space and man. Furthermore, the square shapes found within the paintings add to the viewer's perceptive distortion. Regardless of where the viewer looks, the painting seems to be in a state of constant flux.
More works from IAGA Contemporary Art
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