
If You Nose You Nose,
2021
Ryan Travis Christian
Print : ink, Screen Print
55.9 x 76.2 cm 22 x 30 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 15 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
55.9 x 76.2 cm 22 x 30 inch Height x Width x Depth
Support
Framing
White wood frame
Artwork dimensions including frame
61 x 81.3 cm 24 x 32 inch
Artwork sold in perfect condition
Artwork location: United States
Edition: From a series of 10 unique works + 3 A.P. & 2 P.P.
Notes: Hand Signed and Numbered by the Artist. Published by Variable Editions. Artwork is in excellent condition.
If You Nose You Nose is a classic image in which some of those subjects are wrapped up inside vintage political cartoons and hand-drawn animation aesthetics. Depicting a bag of powdery substance in a creative delirium, holding a palette in one hand and a brush in another, the screen-printed image can be seen as a commentary on the influence of drugs in creative expression. But, with different drawings on the reference picture and the blank canvas, Christian pushes the narrative of the works to different, oftentimes unexpecting spheres.
About the seller
End To End Gallery • United States
Artsper seller since 2020
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Presentation
Ryan Travis Christian's 1990s suburban Chicago upbringing offered up absurd experiences, which he uses as fuel for the surreal personal narratives in his pop-culture-influenced graphite drawings.
Impacted by Chicago-style figuration, Christian focuses on the paradoxical relationship between childish cartoons and ominous messages, musing on the technological and material obsolescence of his inspiration. Vintage political cartoons and hand-drawn animation influence Christian's detailed vignettes—namely from Ub Iwerks, George Condo, and the Hairy Who—Christian comes to terms with his sources' sordid pasts while embracing their richness and flavor.
Christian carefully and densely layers graphite to reveal high contrast graphics and dizzying patterns; wiggly figures are rendered in slow motion, living among hazy landscapes and melting fences. He exposes the untidy lifestyle of contemporary humanity through a vast array of topics and imagery; the economy, the environment, gender, class, hope, and doubt are contemplated with drugs, heavy petting, alcohol, violence, depression, death, and the afterlife.
Christian's recent work has expanded to comment on current nationwide and worldwide crises: his historical precedents become mirrors reflecting the common concerns of the present. Text is prevalent in Christian's work, coming mostly from personal notes-to-self about conversations or encounters that have stuck around long enough to remain relevant to him and keep up to the caliber of his source.
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