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Petit déjeuner sur l'herbe,
1990
Edouard Manet
Print : lithography
48 x 36 x 0.5 cm 18.9 x 14.2 x 0.2 inch
€800
One of the last works available by this artist
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About the artwork
Type
Numbered and limited to 200 copies
1 copy available
Signature
Plate signed
Authenticity
Sold with certificate of Authenticity from Studio d'Arte Perna
Invoice from the gallery
Medium
Dimensions cm • inch
48 x 36 x 0.5 cm 18.9 x 14.2 x 0.2 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Belgium
"Breakfast on the Grass", painted by Edouard Manet in 1863. This is a beautiful lithograph after 1990, unsigned, cm. 48 x 36 (inches 18.89" X 14.17").
The work is taken from the art volume: "Impressionismo", published by my father's Studio d'Arte Perna in 1964. The print run is 200 copies with a single Roman numbering I/CC.
The photos also include the Certificate of Guarantee, the Notarial Deed, to guarantee circulation, and the Publisher's Embossed Stamp. The page is in excellent condition.
About the seller
ABSOLUTE PROPERTY GALLERY • Belgium
Artsper seller since 2023
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Presentation
Edouard Manet is a French painter born January 23, 1832 and died April 30, 1883 in Paris. Coming from a family of the upper middle class, he wanted from the age of sixteen to join the navy, but failed the competition for the Naval School. However, he embarked on a training boat for Brazil, but his artistic taste led him to make many drawings. A few months later, he returned to Paris, to study painting in the studio of Thomas Couture.
From 1852, Manet multiplied his trips abroad: Holland, where he particularly admired the painting of Frans Hals, but also Germany, Austria, Italy, then Spain where the works of Diego Vélasquez and Francisco Goya greatly influence his own work.
Manet's early paintings mostly represent genre scenes as well as portraits made with a frank and direct pictorial technique. In 1863, Manet exhibited his famous Lunch on the Grass, and the canvas, provocative for the time, immediately attracted public attention while being violently attacked by critics. In 1865, Manet also exhibited Olympia, a nude inspired by Titian's Venus of Urbino and whose realism raised waves of protests within academic circles.
In 1866, Émile Zola defended the Manet cause and became his friend. He also rubs shoulders with impressionist painters such as Edgar Degas, Claude Monet, Auguste Renoir, Alfred Sisley, Camille Pissarro and Paul Cézanne. Despite these links, Manet does not consider himself a full-fledged Impressionist painter and in 1874, he chose not to participate in the first Impressionist exhibition.
A prolific artist, he left behind an important body of work comprising more than four hundred oil paintings, pastels and numerous watercolors. In the impressionist movement but always keeping its independence, the work of Manet has a considerable influence on French painting and, more generally, on modern art.
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