La Pitié-Salpêtrière,
2020
by Philippe Weisbecker
Print : digigraphy, digital print 39 x 30 cm 15.4 x 11.8 inch
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About the artwork
Numbered and limited to 25 copies
Hand-signed by artist
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Artwork sold in perfect condition
Artwork location: France
All mobilized for the hospital.
"For all caregivers of Pitié-Salpêtrière" / "Un Print pour la santé"
Print from the "A Print for Health" Series.
Original pigment print by Philippe Weisbecker
Limited edition of only 25 numbered and signed copies.
Printing on Etching rag 310 g.
Paper size 39 x 30 cm
Print / RLD workshop.
The profits will be donated to the Pitié-Salpêtrière AP-HP hospital and engraving weekends at the Métairie Bruyère will be offered to caregivers.
Publisher / Artistic and charitable association "Aux 4 vents de l'art" / Photo © Éditions RLD
The numbering may differ from that of the photo.
Sold without frame.
Read more
"For all caregivers of Pitié-Salpêtrière" / "Un Print pour la santé"
Print from the "A Print for Health" Series.
Original pigment print by Philippe Weisbecker
Limited edition of only 25 numbered and signed copies.
Printing on Etching rag 310 g.
Paper size 39 x 30 cm
Print / RLD workshop.
The profits will be donated to the Pitié-Salpêtrière AP-HP hospital and engraving weekends at the Métairie Bruyère will be offered to caregivers.
Publisher / Artistic and charitable association "Aux 4 vents de l'art" / Photo © Éditions RLD
The numbering may differ from that of the photo.
Sold without frame.
About the seller
ÉDITIONS R.L.D. • France
Artsper seller since 2015
Vetted Seller
This seller rewards your purchases of multiple artworks
Collector’s Guide
Imagine it at home
Born in 1942 in Senegal, Philippe Weisbecker studied interior design in Paris. By 1968 he moved to New York. First working as a draftsman in an architectural firm, he started a career as an illustrator at the age of 30. His work has been published in major american publications such as the New York Times, Time magazine and The New Yorker among others. In the late 90's he shifted gradually from commissioned work to his own original production which he is now showing in galeries worldwide. Moving back to France in 2006, he is now sharing his time between Paris and Barcelona.
In essence, Weisbecker's art consist of depicting elements of our daily life untouched by the sometime devastating effects of fashion's changing mood. These range from tools to appliances, from industrial buildings to public housing, greenhouses...
The opposite of spectacular, Philippe Weisbecker's work proposes a return to the primal sens of things. His technical means are simple (drawing), as well as his message. For the artist, the important thing is to represent things that speak to him through their obviousness. He creates a kind of catalogue, an inventory of the things he sees. Like Perec in literature, Philippe Weisbecker wants to draw attention to the ordinary, the known, the "infraordinary", the things we don't see anymore because we see them every day.
Read more
In essence, Weisbecker's art consist of depicting elements of our daily life untouched by the sometime devastating effects of fashion's changing mood. These range from tools to appliances, from industrial buildings to public housing, greenhouses...
The opposite of spectacular, Philippe Weisbecker's work proposes a return to the primal sens of things. His technical means are simple (drawing), as well as his message. For the artist, the important thing is to represent things that speak to him through their obviousness. He creates a kind of catalogue, an inventory of the things he sees. Like Perec in literature, Philippe Weisbecker wants to draw attention to the ordinary, the known, the "infraordinary", the things we don't see anymore because we see them every day.
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Philippe Weisbecker
La Pitié-Salpêtrière, 2020
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