The Confrontation 1 ((Abeni and Yeye's Mirage of peace), 2022
Painting : acrylic · 91.4 x 106.7 x 2.5 cm 36 x 42 x 1 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
91.4 x 106.7 x 2.5 cm 36 x 42 x 1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Discount
This seller offers discount when you purchase multiple artworks.
Description
"Abeni! Let's discuss; the market women are unsettled. Won't you address them? I want to believe that you are doing all you can to secure the best interest of the women in the community?"
"Yeye, my friend, sit down; let's discuss this issue. Here's a cup, a cup of lies; drink it as I pour it for you. It will sooner or later bear lovely fruits, fruits of deceit and betrayal.
We are at peace, are we not?..."
Presentation
Janet Temitope Adegoke is an emerging artist from Western Nigeria. She is a graduate of Human Anatomy from Bowen University, Osun, Nigeria. Janet took an interest in art at the tender age of ten while observing her creative peers. She initially considered her art to be just a hobby. She, however, spent years practicing and refining her craft until she finally took her art up professionally in 2020. She has participated in several group exhibitions in Lagos, Nigeria, and has been featured in publications at home and abroad, such as the Aké Review and ShoutOut Miami.
The artist creates paintings that function as visual manifestos for empowerment and self-acceptance, centering women in their immediate environment while engaging with broader, universal experiences. Within the work, the female form is presented as both fractured and whole, embodying layered emotional states shaped by cultural expectations and systems of control.
Observed narratives are translated onto the canvas through figures that remain intentionally anonymous yet deeply relatable. This approach allows for both specificity and openness, inviting viewers to locate their own experiences within the compositions. The artist's process is meticulous and labor-intensive, built through the accumulation of deliberate paint marks that operate like pixels within a larger whole. These marks speak to the complexity and nuance of lived experiences, particularly those of women navigating identity, resilience, and the pursuit of agency.
Working from a fully African perspective, the practice contributes to the evolving global dialogue surrounding Black and diasporic experiences. The artist is particularly interested in fostering connections between Africa and its diasporas, creating space for shared histories, tensions, and possibilities. Ultimately, the work seeks to hold space for reflection, recognition, and a reimagining of self.
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