between, 2026
Florian Streit  

Painting : acrylic · 60 x 50 x 2 cm 23.6 x 19.7 x 0.8 inch · Ready to hang

CHF 907 907 CHF

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Shipped from: Switzerland

Delivery to: Switzerland , CHF 39

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 50 x 2 cm 23.6 x 19.7 x 0.8 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2026

Description

This composition explores a dynamic equilibrium between geometry and gesture. Bold fields of color intersect in a structured yet fluid arrangement. A vibrant ochre expanse dominates the left side. It meets a deep teal vertical column and a muted earth tone. A dark indigo shape anchors the foreground. Its curved cutout reveals the layering beneath. 
The application of paint varies across the surface. Some areas appear flat and architectural. Others show visible brushstrokes and atmospheric washes. A sweeping white gesture cuts across the center. It adds a sense of sudden movement to the static planes. This tension between precision and spontaneity defines the visual language. The palette remains balanced. Bright primaries contrast with neutral whites and browns. Each layer interacts to create a shallow but complex spatial depth. The artwork reflects a refined mastery of formal composition. It balances the rigor of Swiss design traditions with a free expressive impulse. The gaze is led from the stark edges of the indigo form to the soft transparency of the circular void. This interaction emphasizes the relationship between positive and negative space.

Abstract

Abstract art

Yellow

Florian Streit, between
Switzerland  • 1961

Presentation

Streit was born in Switzerland. He studied art at the Schools of Design in Zurich and Basel. Since then, he has held numerous exhibitions both at home and abroad. He works in both two and three dimensions. 

Three aspects can be identified in his paintings: the first relates to the actual content, the subject matter. This is determined by the borrowed modular forms drawn from his three-dimensional aluminium sculptures. Clear geometric shapes emerge on the canvas, sometimes arranged in an almost symmetrical manner, sometimes spreading playfully across the surface.

The second aspect involves amorphous patches. The rigid figures that relate to the leitmotif are embedded in a multidimensional, informal interweaving – a fabric of structures.

The informal also often appears at the forefront as a brushstroke (3rd aspect) – an energetic gesture. This seems to challenge the geometry, almost destroying it, deconstructing it. The apparent irreconcilability of freely circulating elements (streaks of colour) and rationally composed elements comes together as a synthesis in the deconstruction.

The conventional arrangement of background and foreground, which has prevailed for centuries, is radically challenged. A non-perspectival sense of spatial depth emerges. The resulting interplay of order and chaos struggles for dominance, but is ultimately brought into balance.

Streit's aim is not to depict beauty but to broaden sensory perception. The viewer is challenged to actively observe and analyse the image, and to perceive it in a positive light.

Reviews from our customers

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