Prototype, 2026
Eric Doisy  

Painting : oil, acrylic, marker · 120 x 60 x 2 cm 47.2 x 23.6 x 0.8 inch

CHF 1,419 1 419 CHF
Shipping & delivery

Shipped from: France

Delivery to: Switzerland , CHF 120

Estimated delivery: One to two weeks

Free returns within 14 days, full refund

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Sold with certificate of Authenticity from the gallery

Invoice from the gallery Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

120 x 60 x 2 cm 47.2 x 23.6 x 0.8 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2017 • Top Seller

Description

This portrait is striking through its raw spontaneity. The composition plays on a voluntary anatomical distortion. The face fragments into several chromatic zones. Three eyes with colored irises scrutinize the viewer. They create a strange dialogue between reality and hallucination. 
The technique mixes oil, acrylic, and marker. The line is instinctive. The layers of paint accumulate to give relief to the skin. A marked contrast establishes between the dark background and the acid yellow clothing. 
The body stretches on a long and fragile neck. In the bottom left, a second tiny face appears. This double acts as a silent witness to the scene. Every line underlines an inner tension. 
The approach is in line with the movement of raw art. It favors direct expression over academic perfection. The final rendering reveals the traces of the gesture. The whole ends with a dark purple base.

Portrait

Art brut

figurative

Colors

Expressionism

Faces

orange

Yellow

Eric Doisy, Prototype

Eric Doisy

France  • 1965
87 followers

Presentation

I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.

I express myself through painting as others scream or cry.

I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.

My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.

My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.

If my paintings could speak, they would surely say:

“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.

Reviews from our customers

All our reviews are extracted from Verified Reviews

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