Untitled I. From the Carranca series, 2026
Almo  

Painting : acrylic · 35.6 x 25.4 x 0.3 cm 14 x 10 x 0.1 inch

$2,500 2 500 $US
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Shipped from: Brazil

Delivery to: United States , $ 200

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

35.6 x 25.4 x 0.3 cm 14 x 10 x 0.1 inch Height x Width x Depth

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Description

This vibrant composition explores the fluid nature of identity. The artist employs a rhythmic harmony of acrylics and leather to create a symmetric facade. Bold bands of color curve across the surface. They mirror the contours of a human face. The gaze remains internal. It reflects a state of semi-trance and intuitive exploration. 
Sharp geometric lines intersect with organic swells. A palette of primary hues clashes with deep blacks. This tension suggests the complexity of a global citizen. The artwork navigates the space between dreams and shared symbols. Each stroke acts as a safeguard for memories. 
The symmetry creates a meditative balance. It invites the viewer into a psychological landscape. The precise layering of pigments adds physical depth to the abstract forms. The result is a totem of modern existence. It captures a sense of detachment and universal belonging. The gaze is anchored by a concentrated center of green and gold tones.

The artist was inspired by African masks and traditional Brasilian folk art sculptures called Carrancas which are wood sculptures attached to the prows of riverboats that are meant to ward off evil spirits.
These works are unique in their creation because paint is applied behind the surface being used which in this case is plexiglass. It can be considered a reverse glass painting technique.

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and through his artwork, he safeguards it in an attempt to explore the mysteries that pass through. Whether they are symbols, dreams or marks of the life of each of us.

From the Carranca series
Acrylic under plexiglass
Unframed

Almo, Untitled I. From the Carranca series

Almo

Honduras  • 1972

Presentation

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and through his artwork, he safeguards it in an attempt to explore the mysteries that pass through. Whether they are symbols, dreams or marks of the life of each of us. The artist´s work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symbolic elements that denounce the cruelties of our borders. Almo executes his drawings intuitively in these acrylic paintings, aiming for a state of ´semi-trance´ as he himself defines his process.

Almo, Jorge Alberto Morillo Doria, was born in Honduras, spent his childhood in the Phillippines, moved to Italy for his Univesity studies, and now resides in Sao Paulo, Brazil.

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