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Untitled III. From the Carranca series, 2026
Almo  

Painting : acrylic · 35.6 x 25.4 x 0.3 cm 14 x 10 x 0.1 inch

$2,500 2 500 $US
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Shipped from: Brazil

Delivery to: United States , $ 200

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

35.6 x 25.4 x 0.3 cm 14 x 10 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description

This vivid composition merges geometric precision with organic flow. A central visage emerges from a kaleidoscope of shifting tones. Symmetrical curves create a sense of meditative stillness. The eyes remain closed, suggesting an internal journey or a state of deep reflection. 
Acrylics on leather lend a unique texture to the surface. Bright yellows and deep blues clash and harmonize in rhythmic waves. The application of color feels intuitive, almost hypnotic. 
The artwork explores themes of identity and universal belonging. It transcends borders through a language of symbols and abstract shapes. Fluid lines suggest a spiritual transit, mirroring a process of creative trance. 
Every arc and angle contributes to a balanced, totemic energy. The piece captures a fleeting dream or a hidden psychological mark. It stands as a vibrant investigation into the mysteries of the human experience. The composition concludes with a meticulously detailed band of fragmented patterns across the lower center.

The artist was inspired by African masks and traditional Brasilian folk art sculptures called Carrancas which are wood sculptures attached to the prows of riverboats that are meant to ward off evil spirits.
These works are unique in their creation because paint is applied behind the surface being used which in this case is plexiglass. It can be considered a reverse glass painting technique.

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and through his artwork, he safeguards it in an attempt to explore the mysteries that pass through. Whether they are symbols, dreams or marks of the life of each of us.

From the Carranca series
Acrylic under plexiglass
Unframed

Almo, Untitled III. From the Carranca series

Almo

Honduras  • 1972

Presentation

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and through his artwork, he safeguards it in an attempt to explore the mysteries that pass through. Whether they are symbols, dreams or marks of the life of each of us. The artist´s work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symbolic elements that denounce the cruelties of our borders. Almo executes his drawings intuitively in these acrylic paintings, aiming for a state of ´semi-trance´ as he himself defines his process.

Almo, Jorge Alberto Morillo Doria, was born in Honduras, spent his childhood in the Phillippines, moved to Italy for his Univesity studies, and now resides in Sao Paulo, Brazil.

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